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Buddy Guy: The Essential Album Guide

The rock giant's trips through rock, soul, R&B and the blues

Rolling Stone

Posted Jun 12, 2008 8:26 AM

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A MAN AND THE BLUES (1968)
Key Tracks: "Just Playing My Axe," "Mary Had a Little Lamb"
Quick Take: A Man and the Blues, his Vanguard Records debut and first proper album (previous titles on Chess Records had been singles compilations), is drenched in Stratocaster-ignited fire; highlights include a soulful crack at "Money (That's What I Want)," the playful "Mary Had a Little Lamb," and "Just Playing My Axe," an extension of Keith Richard's signature "Satisfaction" riff.


A Man and the Blues (Vanguard)

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THIS IS BUDDY GUY (1968)
Key Tracks: "Fever," "Knock On Wood"
Quick Take: The live This Is Buddy Guy is fun if not quite as consistent as A Man and the Blues. Guy's fretwork is a given, but his voice really impresses, as his soul-fueled runs through "Fever" and "Knock on Wood" are full of sex and pathos.


This Is Buddy Guy (Vanguard)

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HOLD THAT PLANE (1972)
Key Tracks: "I'm Ready," "Come See About Me"
Quick Take: Early in his career, Guy had trouble with rhythm sections — essentially, they had trouble keeping up with his fireworks. The plodding backing band hurts the otherwise solid Hold That Plane, which features a scorching "Come See About Me" and a sparse take on "My Time After a While."

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BUDDY GUY AND JUNIOR WELLS PLAY THE BLUES (1972)
Key Tracks: "Fever," "Knock On Wood"
Quick Take: Touring with harmonica player Junior Wells in the '70s, Guy added R&B licks and chunks of rock to his trick bag. Buddy Guy & Junior Wells Play the Blues features indebted guests like Eric Clapton and Dr. John. Some of the material is inconsistent, but the interplay between Wells and Guy (especially on "T-Bone Shuffle") is crackling with raw energy.


Buddy Guy and Junior Wells Play the Blues (Rhino)

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I WAS WALKIN' THROUGH THE WOODS (1974)
Key Tracks: "Watch Yourself," "My Time After a While"
Quick Take: Guy was at the apogee of his power when he recorded for Chess and has been mightily diluted and commercialized ever since. The anthology album contains some of the rarest, most developmental material available in the Chess archives. If you want to hear some of the minor, sparsely-recorded blues practitioners of the late forties (with the likes of Little Walter, Jimmy Rogers and Willie Dixon as sidemen) give this one a listen.

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STONE CRAZY! (1981)
Key Tracks: "Fever," "Knock On Wood"
Quick Take: Guy recorded less and less frequently during the '70s and '80s, though his intermittent outings during that era found his stun-power relatively undiminished. Stone Crazy! is a live set full of righteous wailing and incendiary bluster, especially on the bile-filled "I Smell a Rat" and "Outskirts of Town."


Stone Crazy (Alligator)

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SLIPPIN' IN (1994)
Key Tracks: "7-11," "Shame, Shame, Shame"
Quick Take: Beginning with the Grammy-winning 1991 Silvertone set Damn Right, I've Got the Blues, however, Guy's comeback began in earnest. Though previous albums featured a multitude of guests, Slippin' In is Guy's show from start to finish, with a crack band including Chuck Berry pianist Johnnie Johnson and Stevie Ray Vaughan's Double Trouble rhythm section, Chris Layton and Tommy Shannon. Though the production is a little more scrubbed than most of Guy's past work, the guitar blasts on "Shame Shame Shame" and "7-11" are hot, proving Guy wasn't mellowing with age — in fact, he was getting better.


Slippin' In (Silvertone)

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HEAVY LOVE (1998)
Key Tracks: "Saturday Night Fish Fry," "I Just Want to Make Love To You"
Quick Take: The refreshingly modern, if uneven, Heavy Love was nothing if not eclectic, offering everything from jump blues to soul to funk to psychedelic hard rock to a ZZ Top cover ("I Need You Tonight"). Though it may seem gimmicky, the guest spot by Johnny Lang on "Midnight Train" is an excellent sparring match, while "Saturday Night Fish Fry" is a blistering slice of old school.


Heavy Love (Silvertone)

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SWEET TEA (2001)
Key Tracks: "Done Got Old," "Tramp"
Quick Take: Sweet Tea was something completely different, returning Guy to his Southern roots for an inspired — and frequently chilling — collection of swampy hill-country blues numbers cherry-picked from the Fat Possum songbook. Spooky fare like Junior Kimbrough's "Done Got Old" and James "T-Model" Ford's juke-joint shakin' (as opposed to big-city nightclub rockin') "Look What All You Got" aren't Guy's normal stock in trade, but he wears it all convincingly well.


Sweet Tea (Silvertone)

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BLUES SINGER (2003)
Key Tracks: "Hard TIme Killing Floor," "Lonesome Home Blues"
Quick Take: The acoustic Blues Singer is an even more back-to-basics affair than Sweet Tea, with many of the songs featuring just Guy, his guitar, and those devastating "Hard Time Killing Floor," "Lonesome Home Blues." Though it is Guy as his most subdued, his intricate fret work and whiskey-soaked voice make Blues Singer can't-look-away compelling.


Blues Singer (Silvertone)