Definitely. I'm a real big fan of Jack White. I love Portishead, and of course I love Jonny Greenwood and Radiohead. I try to make the music sound like what I've been feeling, but it's still gotta make sense at the end of the day. I like the Sex Pistols and the Ramones, but I don't know if that element is going to work with what I do. You can't do everything you love.
A lot of rappers love Portishead. Why is
that?
Not just Portishead, but a lot of that trip-hop, Tricky and those
records. Trip-hop is a lot closer to American hip-hop music than
people know. A lot of those people are students of rap music,
especially the early days. A lot of the early rap came with heavy
bass lines and 808 drums and I think it's surprising to hear
Europeans to bring that style of music. You look at Amy Winehouse
and Jamie Lidell, they're doing a lot of that too. They're better
students of American music than we are.
You are an impressive live performer and will be playing
a few shows coming up. Do you like performing?
I actually suffer from severe anxiety before each performance.
Probably for the first six to seven years in UGK I used to throw up
before every show.
Do you still do that?
I don't throw up anymore, but the anxiety is still there. I think
that comes from a place of wanting to give people the best show.
For me, you can't ever rely on the media or video or visuals or
anything. People actually see it, hear it, get the feel of it and
connect with it on a much more personal level at a live
concert.
Did the success of last year's UGK album Underground
Kingz sneak up on you?
I didn't know. We knew that the support had been good and that
people had been ready to go out and get it, but you're still not
sure if you're connecting with the next generation. You're not sure
if all the support between the label and promotion and marketing,
you don?t know if that shit's going to line up the right way. It
just so happened that we had an incredible video ["International
Players Anthem (I Choose You)," with Outkast]. It all fell together
like it was supposed to.
UGK was on Jive, but your solo work is put out on
Houston's independent Rap-A-Lot label. Are you treated better on
one label or the other?
I wouldn't say treated better, but I have a lot more input at
Rap-A-Lot. If I have issues with the promotion department, I can
drive over to the label and sit with the promotions people. Same
thing with marketing, radio, video, any of these different things.
With that, it does give me a slight advantage.
Is there a track on II Trill that you feel
particularly fired up about?
Yeah, there's a track called "Angel in the Sky" which is my
dedication record to Pimp C. It's a very deep and very personal
record.
Are you still mourning?
Oh, without question. I will be for a long, long time.
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- Portions of Album Content Provided by All Music Guide © 2009 All Media Guide, LLC.