Bruce has been dragging out some pretty rare songs on
this leg of the tour so far.
You never know what's gonna pop out, you know? It's kind of fun to
have so many songs to choose from.
What motivated him to open up the first show with
something as random as "So Young and In Love"?
I don't know how many songs he has right now. Two hundred and
fifty? Three hundred? He just flips through 'em, and says, "Heeeey,
remember this one?" No particular reason other than just he hadn't
done it very often, or hadn't done it for a long time. The
wonderful... freedom... that our audience allows us is
something that's fairly unique, We're able to do almost anything at
any time and people seem to dig it.
Are they moments when he calls an audible — say
"The Detroit Medley" and you guys just can't remember
it?
We take a vote amongst us very quickly as to what key it's in.
That happens. The nice thing about having so many people in the
band is that no one person has to know everything. I might catch up
on the second verse, you know what I'm saying?
You've played "Badlands," "Born to Run" and "Promised
Land" at nearly every gig you've done over the past decade. Which
one are you the most sick of?
We play those every time, huh?
Pretty much.
I know it sounds like an odd thing, because I used to think this
about people in the theater: "They have to do exactly the
same thing every night." There's not one single word different. I
used to think, "How do you do that?" We probably change things more
often than almost anybody. Maybe there's a jam band or two through
history that maybe changed things more often than us, but I don't
think it's very many. Even if you're playing the same song, if
there's a different order or a different context, then it sort of
changes a little bit because of what's before it or what's after
it. And so it has a funny kind of "newness" every night.
I've heard you say before that your favorite Springsteen
song is "Fade Away."
Yeah, that's one of 'em.
Why does Bruce never play it with the
band?
I don't know! It's just one of those funny, lost little gems, you
know?
Do you ever say to him, "Bruce, I'd like to play this
song tonight?"
You know, I really should do that more often. I guess it's just
kind of a slower one and we don't play that many slower ones
anymore, so maybe it's just hard to fit it in. But I should bring
that up. My other favorite is "Held Up Without a Gun." We never
play that one, either.
You and Nils are singing a bit now on "Long Walk Home,"
which you didn't on the first leg of the tour. How'd that
happen?
It just spontaneously happened one night. It was one of those
songs I thought we weren't quite getting the most out of it
somehow. Songs are funny. You record them one way and then
sometimes live they need to be adjusted or expanded or changed
slightly to capture the essence of it. Sometimes it doesn't quite
translate literally when you do it precisely the same way. And that
just struck me as we were playing it, you know. I thought, you
know, it's not quite going to that place it needs to go to, which
the lyrics in it suggest. Sometimes something is just great on
record and never quite translates live for some reason. It can be a
bit of a challenge and that's just one thing I love to do. I'm just
a natural-born arranger and always have been. I just love it. I did
a lot of the stuff on Darkness and, of course, The
River and Born in the U.S.A., that was sort of my
thing before I started co-producing with him.
You know, I was reading that you were almost a part of
the 1992 tour. Could you tell me about that?
We were talking about doing something and I think we just decided
to kind of wait on it or I got busy doing something. I honestly
don't remember now. I think we just maybe decided to wait and get
the E Street band back together.
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