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Public Enemy, It Takes a Nation of Millions to Hold
Us Back
Release Date: June 28, 1988
Key Tracks: "Bring the Noise," "Don't Believe the
Hype," "Night of the Living Baseheads"
What Caught On: Having already established their
sound on 1987's Yo! Bum Rush the Show, the production team
known as the Bomb Squad (led by Hank Shocklee) hit their stride in
'88. The tracks on Nation of Millions... aren't simply
samples layered over backbeats — rather, the samples are
stacked on top of each other, crowding each other out and swirling
into a chaotic, noisy stew. Chuck D didn't invent righteous
belligerence, but he certainly got it on MTV. "Our two big singles
coming into this record ["Rebel Without a Pause" and "Bring the
Noise"] had really brought the speed of rap music up a notch,"
Chuck explains. "We wanted the songs to move faster to match our
intensity, and that made me more intense in turn. That was the
foundation of that record."
What Didn't: If there's one thing that Public
Enemy proved, it was that rap groups have a hard time sustaining
more than one dynamic personality. Chuck's razor-sharp raps are
sometimes derailed by the turned-to-eleven goofiness of Flavor
Flav.
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Run-DMC, Tougher Than Leather
Release Date: September 16, 1988
Key Tracks: "Run's House," "Mary Mary," "I'm Not
Going Out Like That"
What Caught On: Neither a straight hip-hop album
like Raising Hell nor a crossover album like King of
Rock, Tougher Than Leather proved that a rap group
could be everything to everyone. Nobody truly loved Tougher
Than Leather, but everybody liked something about it
(save for one of its creators). "I hated Tougher Than
Leather!" says Darryl McDaniels, a.k.a. DMC. "That album was
too rushed. I wanted to just be DMC, and I was stuck rhyming on
this radio shit. Chuck D is always saying that Tougher Than
Leather is his favorite hip-hop album, and I always tell him
he's crazy!" But even McDaniels acknowledges its importance.
"Raising Hell opened the door, and Tougher Than
Leather kept it open for groups like EPMD, Jungle Brothers and
Jazzy Jeff & the Fresh Prince."
What Didn't: Run-DMC's acting career. The album
spawned a film of the same name, but most people only allow Run to
play himself on Run's House.
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EPMD, Strictly Business
Release Date: June 7, 1988
Key Tracks: "Strictly Business," "I'm
Housin"
What Caught On: Believe it or not, most rap
producers hadn't truly dipped into the classic funk library before
Eric Sermon got his hands on the decks. People had sampled soul
records before, but nobody had really built tracks around a single
loop. Sermon's work on Strictly Business set the bar for
rap production that continues today. "Nobody worked harder than
EPMD," explains DMC. "We went on tour with them and when we wanted
to goof around, they were working on beats and rhymes. Those guys
lived hip-hop."
What Didn't: Parrish Smith. EPMD have retired (and
returned), but Erick Sermon managed to strike gold as a producer
away from the group, most notably as Def Squad (with Redman and
Keith Murray).
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Slick Rick, The Great Adventures of Slick
Rick
Release Date: May 2, 1988
Key Tracks: "Children's Story," "Mona Lisa,"
"Treat Her Like a Prostitute"
What Caught On: Slick Rick's first album was an
incredible statement of purpose and he established himself as a
master weaver of tales. Rick took storytelling to a new level in
hip-hop, and you can hear his influence in rappers from Kool G Rap
to Nas.
What Didn't: The Great Adventures of Slick
Rick was one of the last big hip-hop albums that relied on a
more old-school disco sound; in '88, it sounded like Rick was an
old saw holding onto old ways even though it was his debut (perhaps
that's why it's one of the most-sampled rap records of all
time).
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N.W.A, Straight Outta Compton
Release Date: August 8, 1988
Key Tracks: "Fuck Tha Police," "Express Yourself,"
"Straight Outta Compton"
What Caught On: Is there anything that didn't? Dr.
Dre, Eazy-E, Ice Cube, MC Ren and Yella held court at the launch of
"gangsta rap," which would be the genre's primary style for the
next decade. Vivid, ultra-violent, sexually charged and
unapologetic, Straight Outta Compton stripped hip-hop to
its core and sounded the alarm for change, and rap music hasn't
been the same since. "That record is perfect," says Rick
Ross.
What Didn't: Dre, Cube and Eazy all became
legends; despite formidable skills and overwhelming respect among
other MCs, Ren and Yella remain historical footnotes.
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DJ Jazzy Jeff & The Fresh Prince, He's the DJ, I'm
the Rapper
Release Date: March 29, 1988
Key Tracks: "Parents Just Don't Understand,"
"Nightmare On My Street"
What Caught On: Thought to be a fading art form,
DJ Jazzy Jeff brought back scratching in a big way on his team's
second album. While the group was able to cross over to the
mainstream on Will Smith's goofy, easy-going charisma, they were
respected in the hip-hop community because of Jeff's skills on the
wheels of steel.
What Didn't: Smith's kid-friendly rhymes faded
into novelty status, which is a shame — current hip hop could
use a little of Big Willie's laid-back humor. "At that time, you
could be a fan of He's the DJ, I'm the Rapper and also be
a fan of N.W.A," says Mike Gee of Jungle Brothers. "There was a
sense of inclusiveness in hip-hop that doesn't exist today. Today,
you'd get laughed at, but then it was like, 'Look what's possible!'
"
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Biz Markie, Goin' Off
Release Date: February 23, 1988
Key Tracks: "Make the Music With Your Mouth, Biz,"
"Vapors"
What Caught On: You know that typically
overweight, extremely odd dude who is always the sixth member of
hip-hop crews? That's Biz, or somebody like him. Markie was the
rare MC who had incredible mic skills and also knew that it was all
a gag.
What Didn't: Humor in hip-hop. It goes through
cycles, but nobody goofed like Biz, and few have ventured down that
road.
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Boogie Down Productions, By All Means
Necessary
Release Date: May 10, 1988
Key Tracks: "My Philosophy," "Stop the
Violence"
What Caught On: Following the death of DJ Scott La
Rock in 1987, KRS-ONE's always-rotating troupe shifted from the
blinding street violence of their debut to a more conscious vision
on their second album, without sacrificing the hard-hitting
production. "A lot of people think of KRS-ONE as this guy who only
worked the positive angle," says Joe Budden. "But he knew how to
express every emotion: anger, sadness, whatever."
What Didn't: KRS-ONE's free-form rhyme style (most
of these tracks didn't have choruses) disappeared from the hip-hop
landscape for a long time.
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Eric B & Rakim, Follow the
Leader
Release Date: July 25, 1988
Key Tracks: "Microphone Fiend," "Lyrics of
Fury"
What Caught On: Follow the Leader
established Rakim as the greatest rapper in the game, setting the
template for any rapper who would call himself a virtuoso. It's the
height of rap for rap's sake, and proof that you could make an
entire album just about being a street poet. "There has been great
hip-hop since then, but I'm not sure anybody has ever matched
'Microphone Fiend,' " says Chuck D.
What Didn't: Rakim's rhyming still sounds great on
this record, but over time he was eaten alive amidst the more
innovative and aggressive work of the rappers who followed him.
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Rob Base & DJ E-Z Rock, It Takes
Two
Release Date: August 9, 1988
Key Tracks: "It Takes Two"
What Caught On: With a bouncy beat and a
shout-along sample chorus, "It Takes Two" gave birth to a new
generation of hip-hop novelty tracks. The song proved that hip-hop
could easily cross over in rapid fashion.
What Didn't: The rest of the Rob Base and DJ E-Z
Rock catalog.
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Ultramagnetic MC's, Critical
Beatdown
Release Date: October 4, 1988
Key Tracks: "Give the Drummer Some," "Ego
Trippin," Travelling at the Speed of Thought (Remix)"
What Caught On: Another stunning debut,
Critical Beatdown introduced the rap world to the touched
brains of Ced-Gee, TR Love, Moe Love and especially Kool Keith, who
rhymes about strange fits of violence, bizarre sex and whatever
else pops up in his subconscious. Critical Beatdown is
chock-full of the type of scatological word-association rhyming
that Keith later made legendary as Dr. Octagon (and other guises),
as well as informed the work of Lil Wayne.
What Didn't: Kool Keith's sanity. Heard through
the prism of his subsequent work, Keith sounds downright restrained
on this record.
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The Jungle Brothers, Straight Out the
Jungle
Release Date: November 8, 1988
Key Tracks: "Black Is Black," "I'll House You,"
"Because I Got It Like That"
What Caught On: Straight Out the Jungle
represents the beginning of the Native Tongues movement, a
collective of forward-thinking hip-hoppers that included A Tribe
Called Quest, De La Soul and Black Sheep. The album rests grounded,
intense flows on top of esoteric beats. "We knew we were doing
something different, but we didn't do it because it was
different," says Jungle Brothers' Mike Gee. "To this day, I don't
know that it's been reproduced as well, even by us."
What Didn't: The hip-hop dance single. Though
"I'll House You" was a minor hit, the Jungle Brothers' house
experiment became a liability in hip-hop; the JB's never matched
the street cred they had here.
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Bid Daddy Kane, Long Live the Kane
Release Date: June 21, 1988
Key Tracks: "Set It Off," "Ain't No Half
Steppin'," "Long Live the Kane"
What Caught On: Kane's flow — tough,
boastful, and syrupy smooth — gave birth to the "sensitive
hustler" persona that Biggie Smalls and Jay-Z parlayed into
legendary careers (in fact, a young Jay-Z worked for a short time
as a Kane hypeman). Long Live the Kane is in many respects
a transition album for all of hip-hop, as the Marley Marl-produced
beats sound decidedly old-school, but Kane's rhymes were something
entirely new.
What Didn't: Kane's legacy, sadly. Rarely
mentioned in the same breath as the other titans on this list, Kane
remains something of an MC's MC (not unlike Rakim). Just ask
Scarface. "I can still rap Long Live the Kane from
memory," he says. "Everybody should rap along with Kane — it
will make you a better rapper. It helped me!"
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MC Lyte, Lyte as a Rock
Release Date: September 6, 1988
Key Tracks: "I Cram to Understand You (Sam)," "10%
Dis"
What Caught On: Lyte was a female rapper who came
as hard as the guys. Lyte as a Rock contains some great
storytelling (especially on "I Cram to Understand You (Sam)," which
was about her brother's crack addiction), and "10% Dis" is as
cutting as any attack song from the Eighties. Though she didn't
necessarily subvert her femininity, she also didn't harp on it.
"Lyte could hang with anybody," says Joe Budden. "She wasn't a
'female MC.' She was an MC who happened to be female."
What Didn't: Though Lyte certainly opened the door
(and Queen Latifah and Salt N Pepa helped keep it open), it remains
an uphill battle for women who take on rap music. Only Missy
Elliott, Eve and a handful of others have managed to crack the
thick glass ceiling in modern rap.
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Ice-T, Power
Release Date: September 13, 1988
Key Tracks: "I'm Your Pusher," "Power," "Soul On
Ice"
What Caught On: Ice-T is notorious for his
latter-day ultra-violence with Body Count ("Cop Killer" came four
years later), but in his early days he was the West Coast version
of Big Daddy Kane: a hustler with a conscience, a smooth-talking
"OG." No stranger to guns, drugs and women (the iconic album cover
tells most of the story), T also had the same sort of guilt complex
that would inform Tupac's best work. N.W.A. were the shoot-first
gangsters, but Ice-T was the gangster-as-businessman.
What Didn't: Though the rhymes are still fresh,
the beats on Power sound rote and stale. Also, T's hair
(thankfull) went the way of the Jheri curl.