1 M.I.A.
Kala (Interscope)
M.I.A.'s second album was an international block party with a
sonic imagination nobody else could match all year. The Sri
Lankan-born U.K. rapper's inspirations run all over the globe, with
a Day-Glo sensibility rooted in the Native Tongues hip-hop of the
Jungle Brothers and De La Soul, but with the political rage of
Public Enemy. She dips into Sri Lankan temple music, Bollywood
disco, the Pixies, New Order, the Clash, Wreckx-N-Effects —
sometimes she even sounds like the old U2 record where they let the
Edge rap. Kala explores worldwide war zones, talking about
third-world democracy and "putting people on the map that never
seen a map." Yet M.I.A. remains a criminal-minded art freak with a
true rock & roller's love of flash and sensation and
irresponsible shit-talking. And are those Pink Floyd's cash
registers she samples? Cool.
2 Bruce
Springsteen
Magic (Columbia)
Magic comes on like the album Springsteen's been building
up to for the past five years, since he revitalized his sound on
2002's The Rising. These songs are Springsteen at his
toughest and most focused, going for the grimly detailed style of
Darkness on the Edge of Town and Nebraska. He's
sung about some of these characters before; the Vietnam vet of
"Born in the U.S.A." gets a bonfire funeral in "Gypsy Biker," and
the New Jersey Turnpike loner of "State Trooper" seems to show up
in "Radio Nowhere," still asking his car radio the question: "Is
there anybody alive out there?" The big themes are marriage and
America as well as the constant repair they both demand.
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- Portions of Album Content Provided by All Music Guide © 2009 All Media Guide, LLC.