7 LCD
Soundsystem
Sound of Silver (Capitol/DFA)
This is the kind of album where your favorite song changes week to
week. Is it the punk-funk political goof "North American Scum"? Or
is it "Someone Great," which mourns a dead relationship with a
startlingly sincere electropop tribute to the Human League? How
about "All My Friends," where piano, guitars and synths build into
a hotblooded epic on the scale of David Bowie's "Heroes"? All over
SoS, rhythms turn into hooks and hooks turn into beats,
until there is no difference between the two. LCD's James Murphy
has always been a studio whiz, but even his biggest fans never
dreamed he'd make a masterpiece like this.
8 Rilo
Kiley
Under the Blacklight (Warner Bros.)
The big, bright pop-rock record these ex-indie-rockers always had
in them, Under the Blacklight found Jenny Lewis cooing
seductively and belting out manicured choruses amid meaty,
danceable beats and stylistic flourishes like Latin bounce and horn
sections. The music was as inviting as you'd expect from a band
dubbed the new Fleetwood Mac, but there was darkness in Lewis'
lyrics — this is an album with four songs about dangerous sex
(the one about prostitution doubles as a selling-out parable). The
whole package suggested talented young people out to reach a bigger
audience without leaving their brains behind. In that, they
succeeded.
Email
Stumble
AIM
Del.icio.us
DiggThis
Fark It!




- Portions of Album Content Provided by All Music Guide © 2009 All Media Guide, LLC.