35 Feist
The Reminder (Cherry Tree)
The most eagerly awaited folk-pop album of the year, in the
weird-Canadian-girl division, The Reminder is like a
summer of discovery at art camp, and it does a whole lot more than
live up to the promise Leslie Feist showed on Let It Die.
She broke on through with "1234," written for her by New Buffalo's
Sally Seltmann, which got her into coffee shops and upscale shoe
stores everywhere. Feist reaches out with gorgeously lovelorn
ballads, including "The Park" and "My Moon My Man." "I'll be the
one who'll break my heart," she sings over wild-card acoustic
strumming on "I Feel It All": "I'll be the one to hold the gun."
The girls cheered and the boys swooned. And then on "Sealion," she
turns an old Nina Simone song into a modern-day ring shout with
hand claps, cheap electronics and crescendoing guitars.
36 Alicia
Keys
As I Am (J. Records)
Keys' ever-deepening vocal power is the first thing you notice on
As I Am. When she's on, she makes all the other girls on
the radio sound like they're yakking away on The Hills.
As I Am, her third album and the third she's named after
herself, is predictably introspective and mellow. It sounds like
she's spent quality time lately with Aretha's Spirit in the
Dark and decided to make her own version. "Wreckless Love"
floats on soul clouds, "Teenage Love Affair" gives new meaning to
"feeling you," and "Go Ahead" is a killer. But for most of the
album, Keys is happy to get over on her voice, and that's exactly
what makes As I Am such a physical pleasure.
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- Portions of Album Content Provided by All Music Guide © 2009 All Media Guide, LLC.