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It was as if he decided to start the evening with the encores. Randy Newman sang some of his best-known songs early in the first of his two sets at New York's Carnegie Hall on October 11th: his 1978 put-down hit "Short People"; "Mama Told Me Not to Come," a 1970 Number One for Three Dog Night; the comic bedroom funk of "You Can Leave Your Hat On." But Newman had more than enough classics from his incomparable songbook to fill the rest of this quietly spectacular solo recital. Last night was just Newman at a piano, doing stand-up between songs while sitting down, and singing his acute character portraits -- some new and presumably set for his next album -- in a rough, sometimes muddy drawl. He didn't always hit the notes he wanted, but he never failed to touch a nerve.
It was startling to hear the continued relevance in Newman's best social studies from the Seventies and Eighties: the twisted, defensive conservatism in "Rednecks"; the stampeding greed in "It's Money That I Love"; the requiem for a drowned people in "Louisiana 1927." The bully-pulpit foreign policy of 1972's "Political Science," a relic of the Nixon presidency, sounded like minutes from that morning's White House briefing on the Axis of Evil. But as a mocking observer of human foible, Newman took no sides. He collapsed the previous four hundred years of disastrous imperialism into the three minutes of "The Great Nations of Europe" with the same droll precision. It was like The Daily Show with Jon Stewart -- with tunes.
Newman is such an understated live performer that it is easy to miss the deep blues in his piano playing. His rolling figures in the lower registers revealed a serious love and study of the New Orleans piano tradition. There were frequent cloudbursts of subtly orchestral Americana too -- like Stephen Foster via David Ackles -- often when you least expected it, in the middle of a cynical reflection on true love. Newman played as little as necessary, though, in "I Think It's Going to Rain Today," a song of naked fragility but enduring comfort, especially in the way he captured the overwhelming despair and slender hope in his low, trembling voice.
Another highlight in the first set was from Newman's 1999 album, Bad Love -- "I'm Dead (But I Don't Know It)," a hilarious commentary on aging pop gods who refuse to get off the road. Like himself, the sixty-one-year-old Newman dryly noted. Frankly, though, if last night was his idea of being dead, he wears it well.
To catch a glimpse of Randy Newman's live act, check out his remaining tour dates...
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October12th: Keswick Theatre, Glenside, PA
October14th: Convocation Hall, Toronto, ON
October15th: Michigan Theater, Ann Arbor, MI
October17th: Berklee Performance Center, Boston
October 23rd: Manship Theatre, Baton Rouge, LA
October 24th: Manship Theatre, Baton Rouge, LA
October 26th: Carnival Center For Perf. Arts, Miami
October 27th: Tampa Theatre, Tampa, FL
November 3rd: Orchestra Hall, Chicago
November 10th: John Van Duzer Theatre, Arcata, CA
November 11th: Jewish Community Center, San Francisco
November 12th: El Campanil Theatre, Antioch, CA
November 19th: Walt Disney Concert Hall, Los Angeles
January 8th-13th: Lincoln Center, Fort Collins, CO