Have you heard the Red Hot Chili Peppers song "Dani
California" yet, because obviously it sounds a lot like "Mary
Jane's Last Dance."
Yes, I have. Everyone everywhere is stopping me. The truth is, I
seriously doubt that there is any negative intent there. And a lot
of rock & roll songs sound alike. Ask Chuck Berry. The Strokes
took "American Girl" [for their song "Last Nite"], and I saw an
interview with them where they actually admitted it. That made me
laugh out loud. I was like, "OK, good for you." It doesn't bother
me.
There have been news reports that you were going to sue
the Chili Peppers.
If someone took my song note for note and stole it maliciously,
then maybe. But I don't believe in lawsuits much. I think there are
enough frivolous lawsuits in this country without people fighting
over pop songs.
How did you end up getting back together with former
Traveling Wilburys bandmate Jeff Lynne to produce "Highway
Companion"?
Olivia Harrison asked me and Jeff if we would induct George
Harrison into the Rock & Roll Hall of Fame [in 2004]. And Jeff
doesn't perform live ever, which I don't understand, because he's
really good at it. So it took a little bit of arm-bending to
convince him to play. The show went great, and then we were coming
back on the plane and we said, "Look, let's get together and cut a
track." That's how it always begins -- with "a track." So we got a
track, and then it went so good that I just said, "We're pitching
tent here."
And what made you decide that this was going to be a
solo album and not a Heartbreakers record?
Well, they weren't there. We started on the Christmas holiday, and
I just wanted the three of us [Lynne, Petty and Campbell] to make a
solo record. I probably hurt Benmont [Tench's] feelings, but I
think the world of Benmont. He is really the best piano player
there is anywhere. I just thought for this record, I'd rather bang
it out myself and make a different kind of record. And I am really
proud of the record. I think it's one of my better ones in a long
time.
"Square One" stands among your most beautiful
songs.
Thank you. I think it's one of my best songs ever. I mean, you
always like your new record. But I really think that one is
particularly good.
Did you record it in the studio in the other room here
at your house?
There used to be a studio there. But right now they got it all
packed up, because we have termites in the walls. So they just
emptied everything out and covered the wall with plastic, and they
were going to blast this place with insecticides. Of course, out of
the whole home, the only room to have termites would be the
studio.
You're probably in an interesting relationship with the
record right now because you're in the middle of it. When you hear
it, what do you feel?
I finished a lot of this a long time ago. I went away from it for
a long time. I didn't want to wear myself out on it. So when I came
back to it, I was really pleasantly surprised.
How long is a long time?
A year. I went on the road. I did one more track ["Saving Grace"]
when I came back, and then I started listening again. I haven't
given it to the record company yet. I don't want to send it to them
out of sequence. I set out not to make a theme-oriented album,
because I did that last time. But when I sat back and looked at it,
there were themes creeping into it.
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