Exclusive Track List: A preview of the Beatles' upcoming Vegas show

Track 6: ''A HARD DAY'S NIGHT''

''The challenge of the early stuff is that it was all 2 track or 4 -- and on the 4-track recordings, they wouldn't always even use all 4. So we took the Hollywood Bowl recordings and decided to experiment with those. We matched the studio versions to the live recordings and they were actually all in the same key.

''The production on stage is like 'West Side Story' on speed. We used shorter versions here, but it'll be the full songs on the album.''

The introduction from ''Sun King,'' played backwards, leads into

Track 7: ''SOMETHING''

''Some of them really needed to be left alone. The idea was to get that experience that I got when I heard the tapes, to just hear them playing.''

Track 8: ''BEING FOR THE BENEFIT OF MR. KITE'' with laughter and screaming from various sessions, accordion from ''Cry Baby Cry,'' lots of "pissing around'' that was on the masters

Also ''Good Morning Good Morning'' sound effects, laughter from ''Piggies,'' noises from ''I Want You (She's So Heavy)'' and ''Helter Skelter''

''We wanted a dark circus, something that would evoke the troubles they had in the Deep South, and in the Philippines, on tour. The stopping of the Beatles as the Fab Four, touring band. We did it not for indulgence's sake, but because it suits the show -- 'Kite' should be darker. It's quite heavy for Vegas, and we had to fight for that. The Beatles weren't soft, and the last thing we wanted was 'The Beatles-play-Vegas,' something that was just not cool at all.''

Track 9: ''HELP''

''We found out they rushed the mix, did it somewhere that wasn't Abbey Road. We needed to get out of mono, since we're all out of a mono world.''

Track 10: ''YESTERDAY'' ends with ''Blackbird'' intro into

Track 11: ''GIRL'' with a drone from ''Lucy in the Sky with Diamonds,'' a drum roll from ''Being For the Benefit of Mr. Kite'' under the chorus, and a guitar figure from ''And I Love Her''

Track 12: ''SHE'S LEAVING HOME''

''These all kind of go together. Paul was kind of ambivalent about using 'Yesterday,' but Dad wanted it in the show, he thought people would be disappointed if it wasn't there.''

''The starting point was to not do the '1' record. We're not doing badly getting obscure songs in. We wanted more a portrayal of their innovation than of their success.''