The sound was a wall of feedback and distortion, which itself was enough to turn every head in the club; the moment also marked the beginning of Jimi's love affair with Marshall amplifiers. "Everyone's jaw dropped to the floor," Auger said. "The difference between him and a lot of the English guitar players like Clapton, Jeff Beck and Alvin Lee was that you could still tell what the influences were in Clapton's and Beck's playing. There were a lot of B.B. King, Albert King and Freddie King followers around in England. But Jimi wasn't following anyone -- he was playing something new."
Just a week after Jimi landed in England, Cream were playing a show at the Polytechnic in central London. Chandler bumped into Clapton a few days before and told him he'd like to introduce Jimi sometime. Meeting Clapton, of course, was the one promise Chandler had made to Jimi before they left New York. Clapton mentioned the Polytechnic gig and suggested Chandler bring his protege. In all likelihood, Clapton meant he would be glad simply to meet Jimi, but Jimi nonetheless arrived with his guitar. Chandler, Jimi and their girlfriends stood in the audience during the first half of the show, and Chandler called up to the stage and summoned Clapton over to ask if Jimi might jam. The request was so preposterous that no one in Cream -- Clapton, Jack Bruce or Ginger Baker -- knew quite what to say: No one had ever asked to jam with them before; most would have been too intimidated by their reputation as the best band in Britain. Bruce finally said, "Sure, he can plug into my bass amp."
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