
6 The
Greatest
[Listen]
CAT
POWER
Chan Marshall faces up to death and despair on a record that
justifies every lofty claim her devoted fans have always made for
her. On The Greatest, she cuts deep soul with Memphis
session men, which brings out the country in her Georgia-bred voice
on hard-won ballads like "Could We." Ten years after her first
great album, What Would the Community Think, she sounds
like she's just getting started.

7 Hell Hath No
Fury
[Listen]
CLIPSE
Hell Hath No Fury is, in part, a showcase for Clipse's
longtime buddies the Neptunes: All skeletal, insistent grooves and
mind-fuck atmosphere, cuts like "Chinese New Year" are ill enough
to raise goose bumps. Brothers Pusha T and Malice simply love to
rhyme, and on a series of coke-slinging anthems their clever,
singularly fluid flows intertwine like the two guys share a brain.
And the banging "Wamp Wamp" and snap-track "Mr. Me Too" are simply
head-and-shoulders above almost anything on radio.

8 Boys and Girls in
America
[Listen]
THE
HOLD STEADY
Keyed to the Jack Kerouac line "Boys and girls in America, they
have such a sad time together," the Hold Steady's third release in
three years doesn't approach the faith-based weight of 2005's
Separation Sunday, but it does make its point with an
abundance of narrative flair. The saddest entry is "You Can Make
Him Like You," for a pretty girl who always finds another guy when
she gets tired of her boyfriend's buddies or music or drugs. The
happiest is "Chillout Tent," where the sadness is comic, and the
mook has his moment with the Bowdoin girl.

9 Blood
Mountain
[Listen]
MASTODON
When it comes to metal, subtle is just another word for not trying
hard enough. So glory be to Mastodon for piling it on like there's
no tomorrow, in the most acclaimed, most innovative, most
iron-tusked and just plain heaviest metal album since Metallica ran
out of gas. The lyrics go over the top with warrior-fantasy mythos,
full of lion slicers, ice gods, ogres and dwarves, not to mention
something about "the sheep's- head curse." These four Atlanta dudes
grind it out fast or slow, or leap between math-prog tempo shifts
without losing their sense of primal paranoid thunder.

10 Orphans:
Brawlers, Bawlers and Bastards
[Listen]
TOM
WAITS
The running tale through this collection of fifty songs -- more
than half are new recordings -- is the way Waits rummages through
roots for inspiration, then bends them to his singular will. Waits
still finds magic, waiting for overhaul, in Lead Belly, Jack
Kerouac and the Ramones -- the cover of Da Brudders' "Danny Says"
is a ragged stunner. So is the harrowing "Road to Peace," Waits'
imagining of a young Palestinian's transformation into a suicide
bomber -- and how the path of fundamentalism, on either side, is
always a dead end.
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- Portions of Album Content Provided by All Music Guide © 2009 All Media Guide, LLC.