Rachael Yamagata got some supernatural inspiration for the
follow-up to her 2004 debut. "I was up writing at 4 a.m., and I was
convinced that I heard a ghost playing the trumpet," says the
singer-songwriter, who cut the album — produced by Bright
Eyes multi-instrumentalist Mike Mogis — in a 1920s-era
mansion outside of Woodstock, New York. "I started tracing a line
of it on the piano, and that become the intro to 'Over and Over.' "
The stripped-down track's wistful vibe permeates the first half of
Yamagata's two-disc set, which is split between dusty,
often-macabre ballads — "a death in the family colored some
songs," she says — and edgy, hand-clapping rockers about
booty calls ("Sidedish Friend") and asshole dudes ("Don't"). "I
didn't censor anything," says Yamagata, who let rip with
confessional lyrics — "don't fuck me in front of me," she
begs on "Don't." "When I wrote that," she recalls, "I thought, 'I
can name a lot of women who are gonna get that right off the bat.'
"