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song reviews

James Blake

6

"Voyeur"

Blake wants to make you feel good, but only if he doesn't have to move too fast. "Voyeur," the British DJ-songwriter's latest, slinks into focus while processed words slither out of his mouth; by the time the disco cowbell starts, along with the dance party, does it even matter? Probably not. | More »

March 25, 2013

Earl Sweatshirt feat. Tyler, the Creator

7

"Whoa"

On his new single, the most exciting rapper in the Odd Future crew sticks to a familiar MO: a hard, unadorned beat topped with rhymes delivered in tongue-twisting configurations. Earl's pose – mildly sociopathic rebel nerd – isn't new, but the lyrics enliven the cliché. Best Anglicism-cum- Rick Ross-shout-out: "The misadventures of a shit-talker/Pissed as Rick Ross' fifth sip of his sixth lager." Prize for pure poetry: "Get 'em higher than the pitch of m... | More »

March 18, 2013
March 14, 2013

Frank Ocean

8

"Eyes Like Sky"

This elliptical ballad (an unauthorized leak, presumably of a Channel Orange outtake) quietly reaffirms the songwriter's bona fides. Over some strummed acoustic guitar and loose kick-drum grooves, Ocean sings achingly of a blind boy who "sees" in colors. And when Ocean slyly croons, "I wish you could see the ocean," it's enough to break your heart in two ways. | More »

Parquet Courts

7

"Smart Aleck Kid"

One sweet minute of primal, radioactive blurt from this year's hot new old-timey post-punk wunderkinds. The caffeine-jabber lyrics fly by as if Parquet Courts are trying to cram a life's worth of annoyance into the time it takes to order breakfast at their corner deli. | More »

M.I.A.

8

"Matangi Mix"

This eight-minute-plus minimix – made to soundtrack a Paris fashion show – is as buoyant as anything M.I.A.'s done in a while. It shifts from South Asia-steeped stomp to a gonzo-electro track that's like Q*bert dancing on a hot plate, as M.I.A. rocks some excellent jump-rope vocalese and asks, "Do you like my perfume?/Made it at home with some gasoline and shrooms." Smells like victory. | More »

Lady Antebellum

7

"Downtown"

Hillary Scott seethes at home, eager to stroll sidewalks, fed up that her guy's always too tired to hit the city, where country rarely treads. The phrasing and jangle are pure late-Nineties Everclear – as is the feeling of life passing by. Listen to "Downtown": | More »

February 26, 2013

Yeah Yeah Yeahs

7

Sacrilege

Throbbing back to life after several years off, the YYY's pack "Sacrilege" with a mess of classic moves: While guitar buzz and synth beeps make out in the corner, the rock/dance baby rides an almost-disco groove, and Karen O alternates between yelling (through the phone, it seems) and a full-on seduction-mumble. The new trick is the outta-nowhere gospel-style choir at the end, tearing the proverbial roof off. As Homer Simpson might say: "Sacrilicious!" | More »

February 22, 2013

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Song Stories

“Help Me”

Joni Mitchell | 1974

Joni Mitchell wrote and recorded this song for her album Court and Spark, but she had to switch from her regular band to make the song sound exactly the way she wanted. "I had attempted to play my music with rock & roll players," she told Rolling Stone. "They’d laugh, 'Awww, isn't that cute? She's trying to teach us how to play.'" Mitchell switched to a jazz band, Tom Scott’s L.A. Express, and scored the biggest hit of her career in the process.

More Song Stories entries »