The first single from the first Killers album in four years is an Eighties-rock fever dream that’s crazily big, even by their grandiose standards: a Vesuvian gusher of Springsteen mythos, Toto-Journey power hooks and singer Brandon Flowers’ unmistakable commitment to unmistakable commitment. Flowers leans into this tale of doomed American romance like he’s the first rock & roll dreamer – or maybe the last – who ever thought it’d be a cool idea to describe blond hair blowing in the summer wind or to compare sex to a car engine. Kind of cool, kind of ridiculous, and Vegas all the way.

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“The Everchanging Spectrum of a Lie”

The opener off the Welsh group’s The Big Roar album was an epic one, but the band was worried that track had polarized fans. “The first song is eight minutes long,” Rhydian Dafydd, the Joy Formidable bassist, said. “If you did that in the Seventies people would be, ‘Whatever.’ You do it now, people think, ‘Holy s---!’ Some people think it’s the f---ing greatest track on the entire album, and some people think it’s f---ing boring. It’s that element of needing to challenge people.” The band concluded through the song’s lyrics that love was the “everchanging spectrum of a lie.”