.

Amy Winehouse feat. Nas

"Like Smoke"

Rolling Stone: star rating
Community: star rating
5 2 0
November 4, 2011

The wise pop music fan learned long ago to be wary of Ambulance Chaser Music – records scrambled into the marketplace soon after the death of a beloved star. "Like Smoke," the first taste of Amy Winehouse's forthcoming posthumous album Lioness: Hidden Treasures, is a classic Ambulance Chaser. It's a transparent patchwork job, stitching together a retro-soul vamp (with velvety production from Salaam Remi), some pleasant but undistinguished singing from Winehouse, and a slew of so-so rhymes from Nas (including a verse that, incongruously, tips a hat to Occupy Wall Street). It's not a song, exactly. Call it a songlet, if you like. Or maybe just call it a cash-grab. Winehouse's Back to Black was one of the most rigorously realized records in recent memory. It's a disservice to her memory to put out music this half-baked.

Listen to "Like Smoke":

Related
Amy Winehouse Posthumous Album Due in December
Amy Winehouse's Death: A Troubled Star Gone Too Soon
Musicians Respond to Amy Winehouse's Death
• Photos: Amy Winehouse Remembered
• Photos: The Tumultuous Life Of Amy Winehouse
The Diva and Her Demons: Rolling Stone's 2007 Amy Winehouse Cover Story
Up All Night With Amy Winehouse: Rolling Stone's 2008 Story

prev
Song Review Main Next

ADD A COMMENT

Community Guidelines »
loading comments

loading comments...

COMMENTS

Sort by:
    Read More

    Music Reviews

    more Reviews »
    Daily Newsletter

    Get the latest RS news in your inbox.

    Sign up to receive the Rolling Stone newsletter and special offers from RS and its
    marketing partners.

    X

    We may use your e-mail address to send you the newsletter and offers that may interest you, on behalf of Rolling Stone and its partners. For more information please read our Privacy Policy.

    Song Stories

    “All Along the Watchtower”

    The Jimi Hendrix Experience | 1968

    Jimi Hendrix got hold of Bob Dylan's early John Wesley Harding tapes and in late 1967 recorded a version of "All Along the Watchtower" with the Experience in London. Dissatisfied with that first development, Hendrix brought those tapes with him to New York in early 1968 when he began work on Electric Ladyland. Eddie Kramer, Hendrix's engineer at the time, told Rolling Stone that Hendrix "was still looked upon by his basically white audience as the mammoth black guitar hero. There was a constant fight within him to expand himself." Hendrix's successful take on Dylan's work has long been recognized by the songwriter. "I liked Jimi Hendrix's record of this and ever since he died I've been doing it that way," Dylan wrote in the liner notes to his Biograph box set. "Strange how when I sing it, I always feel it's a tribute to him in some kind of way."

    More Song Stories entries »