Grohl got Paul McCartney, Stevie Nicks, Rick Springfield, Trent Reznor and Josh Homme for the soundtrack to his film about the L.A. studio where Nirvana made Nevermind. So it's odd the second single is a drably explosive alt-rock moaner, with Slipknot's Corey Taylor on vocals. Cheap Trick's Rick Nielsen shreds and the rhythm section of Grohl and Kyuss' Scott Reeder is mighty, but they can't save a tune unworthy of Grohl's rock-buddy Rolodex.

“All Along the Watchtower”

Jimi Hendrix got hold of Bob Dylan's early John Wesley Harding tapes and in late 1967 recorded a version of "All Along the Watchtower" with the Experience in London. Dissatisfied with that first development, Hendrix brought those tapes with him to New York in early 1968 when he began work on Electric Ladyland. Eddie Kramer, Hendrix's engineer at the time, told Rolling Stone that Hendrix "was still looked upon by his basically white audience as the mammoth black guitar hero. There was a constant fight within him to expand himself." Hendrix's successful take on Dylan's work has long been recognized by the songwriter. "I liked Jimi Hendrix's record of this and ever since he died I've been doing it that way," Dylan wrote in the liner notes to his Biograph box set. "Strange how when I sing it, I always feel it's a tribute to him in some kind of way."