Motherland, meet Brooklyn. Santigold and the Yeah Yeah Yeahs' Nick Zinner get down with Mali's Afro-pop ambassadors, and the ladies own the mics while the dudes plow fields with their electric guitars. If the stormy jam at the end went on for 10 more minutes, there’d be no complaints here.

Listen to Amadou and Mariam's "Dougou Badia":  
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“All Along the Watchtower”

Jimi Hendrix got hold of Bob Dylan's early John Wesley Harding tapes and in late 1967 recorded a version of "All Along the Watchtower" with the Experience in London. Dissatisfied with that first development, Hendrix brought those tapes with him to New York in early 1968 when he began work on Electric Ladyland. Eddie Kramer, Hendrix's engineer at the time, told Rolling Stone that Hendrix "was still looked upon by his basically white audience as the mammoth black guitar hero. There was a constant fight within him to expand himself." Hendrix's successful take on Dylan's work has long been recognized by the songwriter. "I liked Jimi Hendrix's record of this and ever since he died I've been doing it that way," Dylan wrote in the liner notes to his Biograph box set. "Strange how when I sing it, I always feel it's a tribute to him in some kind of way."