Yoko Ono Helps Rock Hall Explore John Lennon's New York Years

May 11, 2009 2:19 PM ET

One of the last things visitors will see when "John Lennon: The New York City Years" opens to the general public Tuesday (May 12th) at the Rock and Roll Hall of Fame Annex in Manhattan almost didn't make the exhibit, which was curated by Lennon's widow, Yoko Ono, and Jim Henke from the Rock Hall. It is perhaps the most striking of the items that will be on display through late fall.

(Get a first look at the John Lennon exhibit here.)

It's a small canvas bag from New York's St. Luke's-Roosevelt Hospital Center, and it's wrapped in plastic. It contains the clothing Lennon was wearing the night he was murdered, and Ono says she thought long and hard before making the bag the exhibit's parting shot. The message the bag — and a photo Ono snapped of Lennon's blood-soaked glasses — sends about gun violence was too powerful to keep private. The message, that more than 932,000 people have died as a result of gun violence since her husband's murder, was "important for people to see that, and for people to understand what violence is about."

Ono, dressed in a pin-stripped blazer, shades and a white hat, spoke during a press conference today, and says initially, she figured she "would be criticized" for including the bag, labeled "Patient's Belongings," as part of an exhibit celebrating Lennon's love of the Big Apple, and its influence on his art, his life, and ultimately, his death.

"John loved New York City. When he came here, he felt it was his home, and this is a thorough representation of John's life in New York," Ono told reporters of the exhibit, adding that she's sure Lennon was lonely at times, as he was the only one of the Beatles who resided in Manhattan. "He was head over heels in love with this city, and when you're in love, you forget you had a past."

The exhibit features a number of items from the Rock Hall Museum, as well as a museum in Japan. Other items, Ono confessed, came from her closet. Among the treasures on display, fans will find Lennon's iconic "New York City" muscle shirt (stains and all), a number of collages, self-portraits (including one of Lennon's as the Statue of Liberty), and handwritten lyrics to songs like "Working Class Hero," "God" and "Woman is the Nigger of the World," some scribbled on recording studio and hotel stationary. There's also the Fender Telecaster Lennon played on stage with Elton John at Madison Square Garden in 1974, rare video footage of Lennon and Ono in New York, and the couple's official declaration of Nutopia: The Country of Peace.

The exhibit also chronicles Lennon's fight against deportation, with his green card, his visa, and letters of support from the likes of Dick Clark and Joan Baez.

Ono says the exhibit is the first of its kind, and for those who swing by to take it all in, Yoko has included something to ensure it's like no other exhibit you've experienced. A white phone is affixed to the wall, and the card next to it reads, "A Phone For Peace." The simple instructions? "When the phone rings, pick it up." Ono said she'll be calling the phone, "only when I remember," to deliver a message of peace to whoever answers, she says.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here

Music Main Next
Daily Newsletter

Get the latest RS news in your inbox.

Sign up to receive the Rolling Stone newsletter and special offers from RS and its
marketing partners.


We may use your e-mail address to send you the newsletter and offers that may interest you, on behalf of Rolling Stone and its partners. For more information please read our Privacy Policy.

Song Stories

“American Girl”

Tom Petty and the Heartbreakers | 1976

It turns out that a single with "American" in its title--recorded on the Fourth of July during the nation's Bicentennial, no less--can actually sell better in Britain. Coupled with the Heartbreakers' flair for Byrds jangle and Animals hooks, though, is Tom Petty's native-Florida drawl that keeps this classic grounded at home. Petty dispelled rumors that the song was about a suicidal student, explaining that the inspiration came from when he was 25 and used to salute the highway traffic outside his apartment window. "It sounded like the ocean to me," he recalled. "That was my ocean. My Malibu. Where I heard the waves crash, but it was just the cars going by."

More Song Stories entries »