.

World Wide Ween

Saucy duo to market double-live album on the Internet

February 19, 1999 12:00 AM ET

The minute Ween do something that doesn't elicit a twisted grin or actually approaches the norm, the quirky duo may as well cease to exist. The ersatz Ween brothers, known for churlish numbers like "Waving My Dick in the Wind" and "She F---- Me," won't exactly break new ground for the upcoming Internet-only release of Ween Live, but the double-disc live album will have one Ween-esque abnormality: Disc two is over seventy minutes long, but only includes three songs.

The first two songs on disc two, "Poop Ship Destroyer" and "Vallejo," clock in at a combined sixty-plus minutes, according to a source close to the project. Disc one, in contrast, is also seventy-plus minutes, but includes sixteen Ween favorites, such as "Japanese Cowboy," "Mister, Would You Please Help My Pony?," "I Can't Put My Finger On It" and "Mushroom Festival in Hell."

According to the source, the album will include live material recorded with every incarnation of Ween, including the early quartet version (which featured producer Andrew Weiss), 1994's Chocolate & Cheese tour with drummer Claude Coleman, 1996's 12 Golden Country Greats tour with Nashville musicians and the most recent, nautical-themed The Mollusk tour.

The album should be available for purchase on the Ween web site (www.chocodog.com/ween/) beginning next month, assuming the band's Elektra record label signs off on the project.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here

prev
Music Main Next

blog comments powered by Disqus
Daily Newsletter

Get the latest RS news in your inbox.

Sign up to receive the Rolling Stone newsletter and special offers from RS and its
marketing partners.

X

We may use your e-mail address to send you the newsletter and offers that may interest you, on behalf of Rolling Stone and its partners. For more information please read our Privacy Policy.

Song Stories

“1999”

Prince | 1982

“I don’t consider myself a great poet,” Prince told Rolling Stone. “I just know I’m here to say what’s on my mind.” In the case of the apocalyptic party anthem “1999,” he was worried about then-president Ronald Reagan’s foreign policies. The song’s melody is based on a riff borrowed from the Mamas and Papas’ “Monday, Monday,” and Prince originally envisioned the first verse with three-part harmony but later split the vocals between himself and members of the Revolution. Because Warner Bros., with whom Prince was locked in a contractual battle, owned the original’s masters, Prince rerecorded the song and appropriately released that version in 1999.

More Song Stories entries »