.

When Keith Richards Wrote '(I Can't Get No) Satisfaction' In His Sleep

Plus: More rock anniversaries from the Stooges, Weezer and more

May 9, 2011 12:30 PM ET
The Rolling Stones performing in New York City, May 2, 1965.
The Rolling Stones performing in New York City, May 2, 1965.
Michael Ochs Archives/Getty Images

This week in rock history, the Rolling Stones recorded "(I Can't Get No) Satisfaction," the Stooges began laying down Fun House, Keith Relf of the Yardbirds and Frank Sinatra passed away, and Weezer released their smash debut album. 

May 12, 1965: The Rolling Stones record "(I Can't Get No) Satisfaction"
Humanity may be better off not knowing what Keith Richards dreams about, but it sure paid off once: when the Rolling Stones' guitarist conjured the riff to "(I Can't Get No) Satisfaction" in his sleep.

As he's explained in interviews, Richards heard his now-famous three-note run in a dream, woke to plant the riff on his tape recorder and mumble "I can't get no satisfaction," and then fell back asleep soundly. The band was initially worried that the hook was reminiscent of Martha and the Vandellas' "Dancing in the Street" but committed it to tape anyway at RCA Hollywood Studios the following week.  Written with singer Mick Jagger and produced by band manager Andrew Loog Oldham, "(I Can't Get No) Satisfaction" launched the Stones' true British Invasion fame as their first No. 1 single in America in June of 1965. The track was included on the American version of that year's Out of Our Heads.

May 10, 1970 - The Stooges begin recording Fun House

When the Stooges recorded what would become their bristling second album, Fun House, civility went off the table. In its place: plenty of drugs. “We had a certain purity of intention,” wild frontman Iggy Pop reflects in Rolling Stone’s 500 Greatest Albums of All Time, where the album resides at Number 189. “I don’t think we did ever get it from the drugs. I think they killed things.” But from the sound of the album, released on July 7, 1970 (or 7/7/70), the creative process was still electric, with scabrous proto-punk tracks "Loose," "L.A. Blues," and the winding seven-minute-plus title cut.

Fun House proved to be an influential force on punk rock, despite initially tepid sales. It was recorded at Los Angeles’s Elektra Sound Recorders in a 15-day blast and produced by former Kingsmen keyboardist Don Galluci, who proved crucial in capturing the Ann Arbor, Michigan, group’s live ferocity to tape. Fun House featured the iconic Stones lineup of Iggy Pop (vocals), Ron Asheton (guitar), Dave Alexander (bass), and Scott Asheton (drums), with woodwind support from Steve Mackay (saxophone).

 

May 14, 1976: Keith Relf of the Yardbirds dies of electrocution while playing electric guitar

Aside from their own hit singles, the Yardbirds helped predict some of the greatest rock music of all time. Their lineup in the Sixties included three of rock's most immortal guitarists before they hit international glory — Eric Clapton, Jeff Beck, and Jimmy Page — and was a steadily influential force in distortion-drenched, blues-rock experimentalism. The group charted with singles "For Your Love," "Heart Full of Soul," and "Over Under Sideways Down" but disbanded in 1968, though an incarnation reformed in 1992 and remains modestly active.

Unfortunately, the Yardbirds' lead singer and harmonica player, Keith Relf, never got to realize his own rock stardom as fully as his six-stringers did. He died from electrocution while playing an improperly grounded electric guitar near an exposed gas pipe in his London home recording studio. He was 33, and in the process of regrouping another one of his vaunted rock acts, Renaissance.

Relf was inducted into the Rock and Roll Hall of Fame posthumously in 1992.

May 10, 1994: Weezer release The Blue Album

Weezer formed in 1992, at the apex of grunge rock, and seemed a perplexing, preppy anomaly by comparison. Mercurial, brilliant frontman Rivers Cuomo, formerly a long-haired metalhead, peered out nervously behind smudged black plastic glasses, singing reedily about Mary Tyler Moore and gang violence ("Buddy Holly"), playing Dungeons and Dragons alone ("In the Garage"), and the fatalist undertow of surfing ("Surf Wax America"). Yet these songs formed the crux of Weezer's hit self-titled debut (commonly referred to as the Blue Album for its cover photo), which shot the young quartet into triple-platinum sales.

The Blue Album forms half of the Weezer's beloved origins: together with 1996's esoteric Pinkerton, it has achieved cult status and is defended rabidly by the group's earlier fans (the same followers who often decry the band's current output as shallow and complacent by comparison). It was produced by Cars frontman Ric Ocasek and featured the group's original lineup: Rivers Cuomo (singer/guitarist), Patrick Wilson (drums), Brian Bell (guitarist) and Matt Sharp (bassist; he left the group after Pinkerton and now fronts the Rentals). The Blue Album peaked at Number 16 on the Billboard charts and spawned the hit singles "Undone (The Sweater Song)," "Buddy Holly," and "Say It Ain't So" — as well as innovative, cheeky music videos ("Undone" and "Buddy Holly" with burgeoning director Spike Jonze) and widespread emulation of Cuomo's nebbish, erudite persona.

 

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here

prev
Music Main Next

blog comments powered by Disqus
Daily Newsletter

Get the latest RS news in your inbox.

Sign up to receive the Rolling Stone newsletter and special offers from RS and its
marketing partners.

X

We may use your e-mail address to send you the newsletter and offers that may interest you, on behalf of Rolling Stone and its partners. For more information please read our Privacy Policy.

Song Stories

“Vicious”

Lou Reed | 1972

Opening Lou Reed's 1972 solo album, the hard-riffing "Vicious" actually traces its origin back to Reed's days with the Velvet Underground. Picking up bits and pieces of songs from the people and places around him, and filing his notes for later use, Reed said it was Andy Warhol who provided fuel for the song. "He said, 'Why don't you write a song called 'Vicious,'" Reed told Rolling Stone in 1989. "And I said, 'What kind of vicious?' 'Oh, you know, vicious like I hit you with a flower.' And I wrote it down literally."

More Song Stories entries »
 
www.expandtheroom.com