.

U2 to Sell 360 Tour 'Claw' as Permanent Venue

Band in talks about converting their innovative stages into amphitheaters

June 28, 2011 4:50 PM ET
The U2 production team holds a press conference at the Sun Life Stadium on June 28, 2011 in Miami Gardens, Florida.
The U2 production team holds a press conference at the Sun Life Stadium on June 28, 2011 in Miami Gardens, Florida.
Gustavo Caballero/Getty Images

U2 have announced plans to sell "the claw" – the innovative four-legged structure at the center of their record-shattering 360 Tour – as a permanent venue following the conclusion of the tour this summer. The band had three of the 29,000-square-foot steel structures built for the two-year-long jaunt and are in discussions with various promoters about installing each at different spots around the world.

U2 Photos: Three Decades of the World's Biggest Band, Onstage and Backstage

"It's certainly our intention to see these things recycled into permanent and usable ventures," U2 tour director Craig Evans told Billboard. Evans would not get into specifics about potential buyers but said that discussions typically involve converting the structures into full interior pavilions and amphitheaters. "They're something you can put up on a waterfront and become an instant skyline icon."

Photos: U2 360 in Italy

U2 manager Paul McGuinness told Rolling Stone about the plans to repurpose the tour staging last month. "They need to be slightly re-engineered so they’ll have a roof, a rainproof roof covering the stage," says McGuinness. "We’re actively marketing them at the moment, and I have every hope that they will find new homes as festival stages in three different locations around the world."

The "claw," which is the largest stage rig ever constructed for a concert tour, includes a sound system built into each leg, a cylindrical video screen, various lighting effects and hovers above the performance area. According to McGuinness, the band only owns the structure, and the buyer will need to purchase their own sound, lighting and video equipment.

Related: U2 360 Tour Comes Full Circle: Band Returns to U.S. With Denver Blowout

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here

prev
Music Main Next

blog comments powered by Disqus
Around the Web
Powered By ZergNet
Daily Newsletter

Get the latest RS news in your inbox.

Sign up to receive the Rolling Stone newsletter and special offers from RS and its
marketing partners.

X

We may use your e-mail address to send you the newsletter and offers that may interest you, on behalf of Rolling Stone and its partners. For more information please read our Privacy Policy.

Song Stories

“Hungry Like the Wolf”

Duran Duran | 1982

This indulgent New Romantic group generated their first U.S. hit with the help of what was at the time new technology. "Simon [Le Bon] and I, I think, had been out the night before and had this terrible hangover," said keyboardist Nick Rhodes. "For some reason we were feeling guilty about it and decided to go and do some work." Rhodes started playing with his Jupiter-8 synth, and then "Simon had an idea for a lyric, and by lunchtime when everyone else turned up, we pretty much had the song." The Simmons drumbeat was equally important to the sound of "Hungry Like the Wolf," as Duran Duran drummer Roger Taylor stated it "kind of defined the drum sound for the Eighties."

More Song Stories entries »
 
www.expandtheroom.com