.

U2 and Muse Cover Talking Heads, David Bowie and Rolling Stones at Brazil Nightclub

The two bands were celebrating the end of their South American stadium tour

April 15, 2011 12:00 PM ET
U2 performs live on April 9, 2011 in Sao Paulo, Brazil.
U2 performs live on April 9, 2011 in Sao Paulo, Brazil.
Marcos Alvez/Globo via Getty

U2 and Muse officially wrapped up their South American stadium tour on Wednesday night, but hours after the show ended they headed over to the Sao Paulo nightclub Bar Secreto and continued  playing on a considerably smaller stage. You'd think anything that happens super late night at  Bar Secreto remains a secreto, but thankfully somebody brought a camera and uploaded some of the songs to YouTube. Click here to watch Bono cover "Psycho Killer" with Larry Mullen Jr. and Muse's Dom Howard on drums. Click here to watch bits of every song, including The Edge singing "Miss You" and "Let's Dance" and Mullen take a rare turn at the mic with "The Wild Rover." It's unclear if Adam Clayton and the rest of Muse were in the club. Maybe they were playing next door at Bar Super Secreto.

(h/t ATU2)

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here

prev
Music Main Next

blog comments powered by Disqus
Daily Newsletter

Get the latest RS news in your inbox.

Sign up to receive the Rolling Stone newsletter and special offers from RS and its
marketing partners.

X

We may use your e-mail address to send you the newsletter and offers that may interest you, on behalf of Rolling Stone and its partners. For more information please read our Privacy Policy.

Song Stories

“Satisfied”

Tom Waits | 2011

Only the genius of Tom Waits could combine the subject of mortality, a reoccurring theme in his work, with wordplay that name checks both Mick and Keith, whom he calls "Mr. Jagger" and "Mr. Richards," and the title of their magnum opus, "Satisfaction." And to show just how cool Waits really is, he even got Mr. Richards to play along, one of nine guest appearances the guitarist has made on three Waits albums. "This growling roadhouse stomp is a late-breaking response to the Stones' greatest hit," Rolling Stone said of the track.

More Song Stories entries »