.

Tom Morello to Join Bruce Springsteen on Australian Tour

Guitarist to fill in for Steven Van Zandt, who's filming TV show 'Lilyhammer'

Bruce Springsteen and Tom Morello in 2009.
Kevin Mazur/WireImage
January 17, 2013 12:45 PM ET

Tom Morello will sit in on guitar with Bruce Springsteen on the upcoming Australian leg of his Wrecking Ball tour while Steven Van Zandt finishes filming for his television show Lilyhammer. Van Zandt will be back with the band on April 29th when Springsteen and company play Oslo, Norway.

Morello is no stranger to playing with Bruce. The former Rage Against the Machine guitarist played on a few Wrecking Ball cuts ("Jack of All Trades," "This Depression"), and has joined Springsteen and the E Street Band on multiple occasions, including Late Night With Jimmy Fallon, last year at SXSW and the 25th Annual Rock and Roll Hall of Fame celebration in 2010.

100 Greatest Artists: Bruce Springsteen

In the past, Morello and Springsteen have teamed up for live
renditions of "The Ghost of Tom Joad," which Rage recorded on their 2000 covers album Renegades. Morello is also set to perform before the Grammys at the MusiCares benefit, which will honor Springsteen this year.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here

prev
Music Main Next

blog comments powered by Disqus
Daily Newsletter

Get the latest RS news in your inbox.

Sign up to receive the Rolling Stone newsletter and special offers from RS and its
marketing partners.

X

We may use your e-mail address to send you the newsletter and offers that may interest you, on behalf of Rolling Stone and its partners. For more information please read our Privacy Policy.

Song Stories

“All Along the Watchtower”

The Jimi Hendrix Experience | 1968

Jimi Hendrix got hold of Bob Dylan's early John Wesley Harding tapes and in late 1967 recorded a version of "All Along the Watchtower" with the Experience in London. Dissatisfied with that first development, Hendrix brought those tapes with him to New York in early 1968 when he began work on Electric Ladyland. Eddie Kramer, Hendrix's engineer at the time, told Rolling Stone that Hendrix "was still looked upon by his basically white audience as the mammoth black guitar hero. There was a constant fight within him to expand himself." Hendrix's successful take on Dylan's work has long been recognized by the songwriter. "I liked Jimi Hendrix's record of this and ever since he died I've been doing it that way," Dylan wrote in the liner notes to his Biograph box set. "Strange how when I sing it, I always feel it's a tribute to him in some kind of way."

More Song Stories entries »