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The White Stripes in Rolling Stone: Interviews, Photos, Features and More

See everything from our review of their first album to our 2005 cover story to photos from their final tour

February 2, 2011 5:55 PM ET
The White Stripes, 2002.
The White Stripes, 2002.
Tim Roney/Hulton Archive/Getty

Rolling Stone first wrote about the White Stripes — who just announced that they're breaking up — when we reviewed their second disc, De Stijl, in November of 2000. "If The Who played 'Maximum R&B,' then you could call The White Stripes' music 'minimum R&B,'" Jenny Eliscu wrote. "It's blues-tinged rock & roll scaled back to its most essential elements — one guitar, a simple drum kit and sneering vocals." Since then we've covered the White Stripes extensively, from naming them People of the Year in 2002 through their cover story in 2005 to their final tour in 2007. Check out these articles and more below.

Photos
•  The Many Guises of Jack White, From Frontman to Actor, Drummer, Label Boss and Beyond
The White Stripes on Tour in 2007
The White Stripes on Tour in 2001

Features
Jack White, the Dirty Bluesman of Last Decade
Jack White on Jack White: The 2005 Cover Story
Jack White, Rock Innocent: The 2003 Interview
The White Stripes, 2002 People of the Year
The White Stripes, Reluctant Rock & Roll Saviors: The 2002 Feature

More
Conan O'Brien on His Friendship With Jack and Meg
The White Stripes Help Conan O'Brien Say Goodbye to 'Late Night'
Inside the White Stripes' Epic 2007 Canadian Tour
White Stripes Offer Rare Look Behind the Scenes in 'Under Great White Northern Lights'

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here

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Song Stories

“All Along the Watchtower”

The Jimi Hendrix Experience | 1968

Jimi Hendrix got hold of Bob Dylan's early John Wesley Harding tapes and in late 1967 recorded a version of "All Along the Watchtower" with the Experience in London. Dissatisfied with that first development, Hendrix brought those tapes with him to New York in early 1968 when he began work on Electric Ladyland. Eddie Kramer, Hendrix's engineer at the time, told Rolling Stone that Hendrix "was still looked upon by his basically white audience as the mammoth black guitar hero. There was a constant fight within him to expand himself." Hendrix's successful take on Dylan's work has long been recognized by the songwriter. "I liked Jimi Hendrix's record of this and ever since he died I've been doing it that way," Dylan wrote in the liner notes to his Biograph box set. "Strange how when I sing it, I always feel it's a tribute to him in some kind of way."

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