The Hold Steady's Craig Finn on Depression and Obama

In Austin Scaggs' interview with the Hold Steady's Craig Finn (RS 1058), the frontman spoke briefly about how the quintet's fourth album is fittingly optimistic. "It's a rage against the dying of the light," Finn says of Stay Positive. "The record ended up being about holding on to youthful ideals in the face of aging." Here's more from Finn about how rest, writing and Obama helped the transition:

The evolution towards optimism began with the recording of the band's third LP, Boys and Girls in America: "I was thinking a lot about depression, and the relationship between depression and creativity. Certainly there's been any number of artists that have done both," he says. "Stuck Between Stations" came from Finn's awareness of getting out of a darker place and starting to take better care of himself. "There was this transition period, where I wondered, 'Wait a minute! This is going to be awful if I get in shape and lose my creativity.'

"At 36, I have to admit there's a lot of time and energy spent on just staying healthy," Finn admits. "If you're not working at it, it's kinda working against you." His checklist of things to monitor includes the standards: drinking ("try to limit it"), exercise ("I'm just trying to stay fit, physically and mentally") and the right amount of rest (sleeping on the tour bus is "like going into this sensory deprivation chamber").

Finn also says the upcoming election — and, in particular, Barack Obama — are giving him new reasons to be swept away. "One of the things I've done with this election is try to be really informed," he says. "In my lifetime, I've never heard a modern speech that makes me feel as inspired as when Obama speaks. This is the most unique presidential election we've seen."

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Song Stories

“Tonight's the Night”

The Shirelles | 1960

The lead cut and title track from this girl group's debut album, "Tonight's the Night" was written by 19-year-old bandmember Shirley Owens, who sings lead, and producer Luther Dixon. The band from Passaic, New Jersey met in high school, first calling themselves the Pequellos. The song's frank thoughts about sexual and emotional surrender was racy for the time, but that didn't stop the Chiffons from cutting a similar version immediately after the original came out. "We were the first female group to write some of our own material," band member Beverly Lee recalls. "We did have some say-so in our writing."

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