Talk This Way: Rolling Stone's 1994 Interview With Aerosmith's Steven Tyler

April 27, 2011 9:00 AM ET
Talk This Way: Rolling Stone's 1994 Interview With Aerosmith's Steven Tyler
Photograph by Albert Watson for RollingStone.com

Steven Tyler may be the fastest mouth alive. He's certainly the motor-chatter king of rock & roll. At full speed, the snap, crackle and atomic pop of his conversational style is a thing of wonder — a torrent of fiercely held opinions, impulsive contradictions, vivid adolescent reminiscences, street-corner profanities, colorful sexual metaphors and explosive laughter. He can break into song at a moment's notice to press home a particular musical point — an old Four Tops single, an obscure Kinks album track, just about anything he's written and sung with Aerosmith. Tyler is also a brilliant mimic; he can do anything from the voice of Yogi Bear to Jeff Beck's ragaesque lead-guitar line in the Yardbirds' "Over Under Sideways Down."

Photos: Aerosmith Live, Four Decades of Rockin' the Joint

And that's just when he's sitting down. Ask Tyler how he wrote Aerosmith's '70s breakthrough hit "Dream On" and he'll leap to the piano for an impromptu recital. A question about his long, often tempestuous relationship with Aerosmith guitarist Joe Perry will have Tyler shooting across the room to show you the Plexiglas-framed remnants of a guitar they blew up one day in a drug-fueled misadventure with gunpowder. And this is definitely the first interview I've ever done in which the artist I'm talking to bolts out of his chair and suddenly starts writing a new song — about me.

This article appeared in the November 3, 1994 issue of Rolling Stone. The issue is available in the online archive.

No shit. One minute Tyler is explaining how he's going to learn to play the banjo; the next he's raving on about the gift of music as he stands at a drum kit tapping out a swing beat on a high-hat cymbal and scatting excitedly: "Walkin' down the street/What did I see?/Young man Fricke/Walkin' after me/Saywhat?/What?"

"That's a song ready to be born right there! It's all a gift, and it's just waiting there for me!" Tyler howls with childlike glee as he drops back onto the couch in his combination home studio and rumpus room, the second floor of a converted garage at his home in a wooded Boston suburb.

Steven Tyler, the Savior of 'American Idol'

His gift has served him well. In 1984, Tyler's career with Aerosmith was in the toilet; the heady platinum triumphs of the band's original mid-'70s heyday had been tarred and eclipsed by his superhuman consumption of leisure chemicals and the complete breakdown of personal relationships within the group. As far as a lot of people, fans included, were concerned, Aerosmith were a total write-off.

Rolling Stone's 100 Greatest Artists of All Time: Aerosmith

Ten years later, Tyler and the rest of Aerosmith — Perry, guitarist Brad Whitford, bassist Tom Hamilton and drummer Joey Kramer — are at the peak of a second career high. Their last three Geffen albums — Permanent Vacation (1987), Pump (1989) and Get a Grip (1993) — have all sold in the multimillions, triggering a rain of music-biz awards, including two Grammys and a sweep of the '94 MTV Video Music Awards. A greatest-hits collection, aptly entitled Big Ones, will be released in November. The band has also signed a lucrative six-album deal with Sony for an estimated $30 million. And at a time when young America is in the thick of '70s-nostalgia fever (the Partridge Family in fucking-deed), Aerosmith still deliver the real thing: cocksure arena-rock crunch driven by twin power-drill guitars, meaty R&B-grounded rhythms and Tyler's arrested-adolescent, spin-cycle metabolism.

Photos: Aerosmith's Hometown Blowout in Fenway Park

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here

Music Main Next

blog comments powered by Disqus
Around the Web
Powered By ZergNet
Daily Newsletter

Get the latest RS news in your inbox.

Sign up to receive the Rolling Stone newsletter and special offers from RS and its
marketing partners.


We may use your e-mail address to send you the newsletter and offers that may interest you, on behalf of Rolling Stone and its partners. For more information please read our Privacy Policy.

Song Stories

“Madame George”

Van Morrison | 1968

One of the first stream-of-consciousness epics to make it onto a Van Morrison record, his drawn-out farewell to the eccentric "Madame George" lasted nearly 10 minutes, combining ingredients from folk, jazz and classical music. The character that gave the song its title provoked speculation that it was about a drag queen, though Morrison denied this in Rolling Stone. "If you see it as a male or a female or whatever, it's your trip," he remarked. "I see it as a ... a Swiss cheese sandwich. Something like that."

More Song Stories entries »