T-Pain Recruits Ke$ha and Pharrell for New Album

'The vibe is one of them classic Pharrell joints'

July 21, 2011 11:35 AM ET
T-Pain auto tune
Paul Zimmerman/WireImage

Although T-Pain recently proclaimed himself to be "done with Auto-Tune," don't expect his cyborgian croon to disappear from his next album, rEVOLVEr.

"It's still there," the R&B showman tells Rolling Stone of his signature pitch-correction, which he's now using under his own trademarked tool, "The T-Pain Effect." Released this week, the computer program is a serious upgrade from his popular "I Am T-Pain" app, which lets users record their own digitally altered voice singing hits like "Buy You a Drank" and is in the top five paid music apps for the iPhone. "It's basically everything T-Pain uses in the studio, from vocal changes to reverb chords and compressers," he explains. "It's only 100 bucks, so this is for everybody. And I'm using it on my whole album, so that proves it works for professionals."

Slated for an October release, rEVOLVEr will also mark the first time that T-Pain works with outside producers – "I'm having a hard time adjusting to it," he concedes – including the Neptunes' Pharrell Williams, whom he says brought "super soulful chords" to their collaboration. "The vibe is one of them classic Pharrell joints," T-Pain says. "I didn't want the new Pharrell, trying out stuff."

Photos: Random Notes

As for featured artists, T-Pain plans to follow his latest Chris Brown collaboration on the set's lead single, "Best Love Song," by teaming up with Pitbull, Ke$ha and Lily Allen. "I sampled one of Lily's songs ["Who'd Have Known"], and she heard it and wanted to do it official," he says of the resulting "5 O'Clock," which may also feature Drake and is on deck to be a single.

While T-Pain says he won't meet with Ke$ha until after the pop star returns from her European tour, he expects the good times they had at a recent Las Vegas strip club outing to keep going in the studio. "I tweeted about her one night when we were in L.A. and I saw her perform, and that's how we ended up hanging out," he explains. "She's the new pop version of  a rock & roll artist.  Trashing hotel rooms, doing what they want. I love that she does that and doesn't care."

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here

Music Main Next

blog comments powered by Disqus
Around the Web
Powered By ZergNet
Daily Newsletter

Get the latest RS news in your inbox.

Sign up to receive the Rolling Stone newsletter and special offers from RS and its
marketing partners.


We may use your e-mail address to send you the newsletter and offers that may interest you, on behalf of Rolling Stone and its partners. For more information please read our Privacy Policy.

Song Stories


The Commodores | 1984

The year after soul legends Marvin Gaye and Jackie Wilson died, songwriter Dennis Lambert asked members of the Commodores to give him a tape of ideas. "And the one from Walter Orange has this wonderful bass line," said co-writer Franne Golde. "Plus the lyric, 'Marvin, he was a friend of mine' ... Within 10 minutes, we had decided it should be something like a modern R&B version of 'Rock 'n' Roll Heaven,' and I just said, 'Nightshift.'" This tribute to the recently deceased musicians was the band's only hit without Lionel Richie, who had left for a solo career.

More Song Stories entries »