.

Sony Sues Dixie Chicks

Band and label locked in contract dispute

July 18, 2001 12:00 AM ET

Sony Music Entertainment filed a breach of contract lawsuit against the Dixie Chicks yesterday in New York City, requesting the court force the band members to honor a contract they signed in 1997.

According to the suit, the trio -- Natalie Maines, Emily Robison and Martie Seidel -- wanted to renegotiate a more lucrative contract with Sony, after the success of their first two albums. The group's debut, 1998's Wide Open Spaces, reached Diamond status with sales of more than 10 million, and the follow-up, 1999's Fly has been certified eight times platinum by the Recording Industry Association of America. Sony claims that the group's contract includes as many as four additional albums to be delivered.

"We filed this complaint to confirm that the Dixie Chicks remain signed to an exclusive recording contract with Sony Music," reads a statement issued by Sony Music. "We take great pride in the work we've done in establishing the Dixie Chicks as the most popular and biggest selling female country group of all time. We have tremendous respect for all of the Dixie Chicks, as well as for their extraordinary music."

The Dixie Chicks had no comment on the dispute at press time.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here

prev
Music Main Next

blog comments powered by Disqus
Daily Newsletter

Get the latest RS news in your inbox.

Sign up to receive the Rolling Stone newsletter and special offers from RS and its
marketing partners.

X

We may use your e-mail address to send you the newsletter and offers that may interest you, on behalf of Rolling Stone and its partners. For more information please read our Privacy Policy.

Song Stories

“The Everchanging Spectrum of a Lie”

The Joy Formidable | 2011

The opener off the Welsh group’s The Big Roar album was an epic one, but the band was worried that track had polarized fans. “The first song is eight minutes long,” Rhydian Dafydd, the Joy Formidable bassist, said. “If you did that in the Seventies people would be, ‘Whatever.’ You do it now, people think, ‘Holy s---!’ Some people think it’s the f---ing greatest track on the entire album, and some people think it’s f---ing boring. It’s that element of needing to challenge people.” The band concluded through the song’s lyrics that love was the “everchanging spectrum of a lie.”

More Song Stories entries »