Sheryl Crow, De La Soul, Katy Perry Kick Off Bumbershoot

September 6, 2009 12:00 PM ET

"I gotta say, I'm really excited about Katy Perry," Sheryl Crow gushed briefly about Perry's Bumbershoot-opening set last night, slyly insinuating the chorus from "I Kissed a Girl" into her own opening number, "A Change Will Do You Good." Crow, Saturday's main stage headliner at Seattle's annual late-summer fest, showed the confident ease of an American rock icon, playing with a five-piece roots-rock band to a small but dedicated crowd. Peter Stroud laid down weepy slide guitar for "Strong Enough," while fans sang along to "Good Is Good," and Crow switched from acoustic to electric for "I Can't Cry Anymore." She gave the song a fitting introduction: "Seattle has great musicians. Heart's at the top of my list. I like me some Eddie Vedder."

Bumbershoot in photos: Yeah Yeah Yeahs, Modest Mouse and more.

Meanwhile, across Seattle Center at the moonlit Fisher Green Stage, De La Soul downloaded a greatest hits playlist from hip-hop's late Golden Age. Pos and Dave, with Maceo on turntables, were backed by a crack four-piece band, plus horns and percussion, both three-deep. They started sloppy — this live band thing might've been a first in 20-some years of De La history — but by the time they hit "Pass the Plugs," dipping into serious JBs territory, the set was locked. What proceeded from there was hip-hop heaven. "Jenifa Taught Me" sounded like Otis Redding done De La, "Me Myself and I" felt just right, and the core trio shooed the band offstage for a "two MCs, one DJ" version of "Ooh." Their night-ending, full band version of Gorillaz' "Feel Good Inc" had the crowd going bananas.

Hours earlier, Katy Perry opened the main stage with an uneven 40-minute set under gloomy early afternoon skies. She didn't get any sleep the night before, she told a crowd of teenage girls and middle-aged men, and she was determined to get to Bumbershoot on time. Perry's thighs were the stars of the show, as the rest of her seemed to alternately pogo or sleepwalk through her songs. "Queen is the main reason I do what I do," she said before trying a cover of their "Don't Stop Me Now," "I swear to you they're my favorite." She strummed an acoustic guitar during a convincing version of "Thinking of You," but by the time she got to "I Kissed a Girl," the crowd seemed mostly over it.

It was a good day for Seattle sons. Past Lives — comprising former Blood Brothers — played ominous, knife-edged post-punk. Kay Kay and his Weathered Underground — former Gatsbys American Dream — regaled with raucous cabaret-pomp pop. Upstart L.A. provocateurs Iglu & Hartly apparently missed the memo about shirtless, long-haired rap-metal belonging to 1994, coaxing a roomful of teenage boys to hoist their teenage girlfriends on their shoulders; later, on the same Expo Center stage, New York freak-beat quartet Gang Gang Dance whipped up a surreal, dub-drenched racket surreal that sent half the room running and half dancing madly. Whether it's the discouraging weather, the lineup, or the economy, attendance is down at Bumbershoot this year, but quality remains high.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here

Music Main Next
Daily Newsletter

Get the latest RS news in your inbox.

Sign up to receive the Rolling Stone newsletter and special offers from RS and its
marketing partners.


We may use your e-mail address to send you the newsletter and offers that may interest you, on behalf of Rolling Stone and its partners. For more information please read our Privacy Policy.

Song Stories

“Money For Nothing”

Dire Straits | 1984

Mark Knopfler wrote this song with Sting, and it wasn’t without controversy. The Dire Straits frontman's original lyric used the word “faggot” to describe a singer who got their “money for nothing and their chicks for free.” Even though the slur was edited out in many versions, the band, and Knopfler, still took plenty of criticism for the term. “I got an objection from the editor of a gay newspaper in London--he actually said it was below the belt,” Knopfler told Rolling Stone. Still, "Money For Nothing," undoubtedly augmented by its innovative early computer-animated video, stayed at Number One for three weeks.

More Song Stories entries »