.

Secret Machines, Dresden Dolls Inject Rothbury With a Bit of Darkness

July 5, 2008 11:45 PM ET

The three members of the Secret Machines, outfitted totally in black, looked as though they might wilt in the midday sun Saturday afternoon at Rothbury. But the trio's droning dirges — best experienced in dingy clubs long after nightfall — proved a nice tonic from the crunchy festival fair. "Alone, Jealous and Stoned" was a swirling, psychedelic monster, driven by drummer/man-beast Josh Garza's earthshaking clatter. "Sad and Lonely," by contrast, slowly emerged from a barbed-wire scrawl of guitar, the group gradually locking into a hypnotic groove.

Over on a neighboring stage the Dresden Dolls didn't shy away from addressing political or social issues during their blistering afternoon set. The pair performed a sneering cover of Fugazi's "Blueprint" because, as drummer-singer Brian Viglione was quick to note, "That band managed to combine political action with beautiful music... and that's what this festival is about." Elsewhere, Amanda Palmer (keyboards-vocals) and Viglione sang about boosting lawn ornaments on the punk cabaret of "Night Reconnaissance" and mimicked a skipping record on the Mattel-meets-Mannequin waltz of "Coin-Operated Boy."

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here

prev
Music Main Next

blog comments powered by Disqus
Daily Newsletter

Get the latest RS news in your inbox.

Sign up to receive the Rolling Stone newsletter and special offers from RS and its
marketing partners.

X

We may use your e-mail address to send you the newsletter and offers that may interest you, on behalf of Rolling Stone and its partners. For more information please read our Privacy Policy.

Song Stories

“Everyday People”

Sly and the Family Stone | 1968

"Everyday People" managed to trailblaze in two different ways -- it was one of the first pop hits to deal with the subject of racial harmony, and it utilized Larry Graham's "slap" technique on the bass guitar, which would soon be copied by countless other bassists. Graham once said about his pulsating style, "I'd never done that before … that's where the freedom of creativity came in for the band, that we'd be allowed to do that." In 1978, the song's line "Different strokes for different folks" would be borrowed for the title of the hit television show Diff'rent Strokes.

More Song Stories entries »