Scissor Sisters Working On Dance Record You Can Cry To

August 28, 2009 12:10 PM ET

The Scissor Sisters are still hard at work on the follow-up to 2006's Ta-Dah, the band's mastermind, Jake Shears, reveals to Pop Justice (via Stereogum). For the first time in nearly a year, Shears has offered an update on the progress of the LP, which is being helmed by Stuart Price, who has worked with Madonna (on Confessions on a Dance Floor) and the Killers (on their most recent disc, Day & Age). Shears says the new album will be in stores in March, and it's chock full of dance tracks that "actually makes me want to cry."

According to Shears, Price's chief influence has been in helping the Sisters figure out something basic: the album's sound. It was something Shears had struggled with. "I had a moment. I was at a sex party in Mannheim, I was on the dance floor," Shears explains. "It was six o'clock in the morning. I was wearing a little rubber wrestling singlet. I was having a great time. It was disgusting... The most vile place I've ever been. And I was dancing, and the DJs put on 'Walk The Night' by the Skatt Brothers. It's one of my favorites. It was one of those revelatory moments for me when I realized what I wanted the album to sound like and how I wanted it to make me feel."

Shears says the record is now nearly complete, but cutting all the material down to 10 or 11 tracks has been hard because he keeps writing. But in the end, there will be "no weaklings on the record. I feel like it's hard because with our last record, it didn't really feel like it was finished. And I eventually bent to the pressure of putting it out when I wasn't entirely happy with it."

He insists this next record, which may be out early next year, will contain songs "that are instantly going to make people have to reconsider who they think we are." Shears says the album has "more in common with" the band's earliest material — a sound the band stepped away from once they outgrew their downtown New York roots — but that it also "does sound pretty grown up." Shears also describes the album as "sexualized" and "sleazy," and thinks the first single, an "epic song that makes you feel really good and has a great feeling to it," is a powerhouse.

"It's a very personal song," he says, "about feeling like you're sinking into a hole. It's a song about climbing out of that hole. And being confident and knowing that you can go forth with all your guns blazing. It's a very elevating song. It'll give you goosebumps."

Related Stories:
Scissor Sisters Get With Elton, Salute McCartney

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here

Music Main Next
Around the Web
Powered By ZergNet
Daily Newsletter

Get the latest RS news in your inbox.

Sign up to receive the Rolling Stone newsletter and special offers from RS and its
marketing partners.


We may use your e-mail address to send you the newsletter and offers that may interest you, on behalf of Rolling Stone and its partners. For more information please read our Privacy Policy.

Song Stories

“Whoomp! (There It Is)”

Tag Team | 1993

Cecil Glenn — a.k.a., "D.C." — was a cook at Magic City, a nude dance club in Atlanta, when he first heard women shout "Whoomp — there it is!" Inspired by the party chant, he and partner Steve "Roll'n" Gibson wrote a song around it. Undaunted by label rejections, they borrowed $2,500 from Glenn's parents and pressed 800 singles, which quickly sold out in the Atlanta area. A record deal came soon after. Glenn said the song was meant for positive partying. "If you're going to say 'Whoomp there it is,' and you're doing something negative, we'd rather it not have come out of your mouth."

More Song Stories entries »