.

Rufus Wainwright at Carnegie Hall: More Rainbows Than Stormy Weather

June 16, 2006 4:58 PM ET

>The concertmaster drew applause when he came onstage to tune the 36-piece orchestra. The conductor garnered cheers. The star himself nearly got a standing ovation just for making the walk to the microphone. It was the second of Rufus Wainwright's two sold-out shows recreating the entirety of Judy Garland's 1961 album Judy at Carnegie Hall, song-for-song, stage patter included, original Billy May and Nelson Riddle arrangements altered only slightly for the occasion to accommodate Rufus' voice. It was part performance and part performance art, and who cares if it was better as the latter? Well, I care — more than a few of the songs remained out of Wainright's range, and is it really a good idea to mount two nights at Carnegie Hall recreating the most beloved recording of one of the most beloved gay icons and not have the running order or lyrics down cold? Garland's voice had a way of turning everything, even a torch song, into a parade; Wainwright's is more lugubrious (his word, not mine), and has a way of turning everything, even the high-stepping numbers, into a processional.

As an idea, these concerts were audacious. As a reality, they were full of gay pride (a welcome thing in a city were a drag queen received a broken jaw from a gang of our more hate-filled citizens the previous weekend) and occasionally brilliant music: Rufus singing "Over the Rainbow," the song that got him into Judy at Carnegie Hall as a child; his sister, Martha, tearing up "Stormy Weather" as though her life depended on it, which was the Garland way of doing everything; Wainright dedicating a delicate and heat-filled "I Can't Give You Anything But Love" to his aunt; and Rufus joined by his mother, Kate McGarrigle, for a version of "Ev'ry Time We Say Goodbye," not on the Garland album and arranged more like a Rufus Wainwright song, thank God.

Can an evening of imperfect music be perfect? Apparently so. The crowd — pretty well-heeled and looking a decade or two older than Wainright's 32 years &8212; was rapturous, celebrating themselves and the event as much as the singing. Garland's voice always carried with it triumph over tragedy and inevitability of even more tragedy; it was enough for this night to dispense with the tragedy almost altogether and just go for the triumph.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here

prev
Music Main Next
Daily Newsletter

Get the latest RS news in your inbox.

Sign up to receive the Rolling Stone newsletter and special offers from RS and its
marketing partners.

X

We may use your e-mail address to send you the newsletter and offers that may interest you, on behalf of Rolling Stone and its partners. For more information please read our Privacy Policy.

Song Stories

“Bleeding Love”

Leona Lewis | 2007

In 2008, The X Factor winner Leona Lewis backed up her U.K. singing competition victory with an R&B anthem for the ages: "Bleeding Love," an international hit that became the best-selling song of the year. The track was co-penned by OneRepublic's Ryan Tedder (whose radio dominance would continue with songs such as Beyonce's "Halo" and Adele's "Rumour Has It") and solo artist Jesse McCartney, who was inspired by a former girlfriend, Gossip Girl actress Katie Cassidy. Given the song's success, McCartney didn't regret handing over such a personal track: "No, no," he said. "I'm so happy for Leona. She deserves it. There are really no bad feelings."

More Song Stories entries »
 
www.expandtheroom.com