.

Ronstadt Back to Vegas?

Venue's prospective new owner shows support for singer

July 22, 2004 12:00 AM ET
Linda Ronstadt's ban from the Aladdin Casino and Resort could last all of a month if Planet Hollywood's plan to buy the venue goes through in September. Planet Hollywood CEO Robert Earl defended Ronstadt in a statement released Wednesday.

"We respect artists' creativity and support their rights to express themselves," he said. "We were very sorry to hear about the unfortunate circumstances of this past Saturday night and want to make it clear that Planet Hollywood has never, in our thirteen-year history, restricted any artists' right to free speech and we will continue with that policy once we take ownership."

Ronstadt's dedication of "Desperado" to filmmaker Michael Moore caused many of the 4,500 attendees at her Saturday show in Las Vegas to boo and walk out of the venue, with some audience members leaving in unruly fashion. Aladdin president Bill Timmins had Ronstadt removed from the hotel and Monday told the Associated Press, "As long as I'm here, she's not going to play."

Ronstadt has continued to make the dedication to Moore in subsequent shows in San Diego and Los Angeles, and Moore in turn defended Ronstadt in an open letter to Timmins, offering to join the singer on stage for a rendition of "America the Beautiful" if the venue has her back.

Earl said he would like to take Moore up on the offer when the deal goes through.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here

prev
Music Main Next

blog comments powered by Disqus
Daily Newsletter

Get the latest RS news in your inbox.

Sign up to receive the Rolling Stone newsletter and special offers from RS and its
marketing partners.

X

We may use your e-mail address to send you the newsletter and offers that may interest you, on behalf of Rolling Stone and its partners. For more information please read our Privacy Policy.

Song Stories

“All Along the Watchtower”

The Jimi Hendrix Experience | 1968

Jimi Hendrix got hold of Bob Dylan's early John Wesley Harding tapes and in late 1967 recorded a version of "All Along the Watchtower" with the Experience in London. Dissatisfied with that first development, Hendrix brought those tapes with him to New York in early 1968 when he began work on Electric Ladyland. Eddie Kramer, Hendrix's engineer at the time, told Rolling Stone that Hendrix "was still looked upon by his basically white audience as the mammoth black guitar hero. There was a constant fight within him to expand himself." Hendrix's successful take on Dylan's work has long been recognized by the songwriter. "I liked Jimi Hendrix's record of this and ever since he died I've been doing it that way," Dylan wrote in the liner notes to his Biograph box set. "Strange how when I sing it, I always feel it's a tribute to him in some kind of way."

More Song Stories entries »