.

R.E.M. Look Back

Page 2 of 4
,

4 Nashville 1987
[ Photograph by Sandra-Lee Phipps ]

Buck: That was while we made Document. Michael was reading that book about [Joseph] McCarthy. My mom had campaigned against McCarthy in the Fifties, and Michael and I were talking about historical tides – McCarthy and Richard Nixon – and how that was coming back under Reagan. Suddenly it popped up in "Exhuming McCarthy."

Stipe: He was such a bitter, confused man. I couldn't imagine that anyone could be that evil. But I saw it happening again under Reagan and the first George Bush. The song is also a reference to a portion of our audience. They were Reaganites, and I couldn't do the math – how these people could be my age and still be so blind. But I feel like performers get this kind of pass, where you can say these things on a record or stage. And Document was a very political record. "Disturbance at the Heron House" was my take on Animal Farm – this revolution that grinds to a halt under a hard-line regime.

5 Athens, Georgia 1985
[ Photograph by Tom Sheehan ]

Mills: That's from the video shoot for "Can't Get There From Here" [from Fables of the Reconstruction]. It was just a chance for Bill and I to show off our new "old" cars. Bill had a 1962 Ford, and I had a fantastic '65 Thunderbird that was turquoise inside and out.

Buck: We also wore these bird heads that reminded me of that Egyptian god Thoth, with a bird head and human body. Who wants to be in videos, anyway? Better to get some bird-headed guys to do it.

6 Washington, D.C. 1983
[ Photograph by Laura Levine ]

Buck: This was exceptional hotel-room squalor. We canceled a show because our van broke down. We stayed at the Harrington Hotel in Washington, D.C., for three days with no money. We waited for someone to come up and bring some cash. We had the newspaper we got for free and that was it.

Mills: We were living high on the hog when this was taken. We had separate rooms – one for me and Peter, one for Michael and Bill. That was a step up from when we were all in the same room. But I loved every minute of it.

Stipe: Touring was an adventure. We were out looking for the world, and we put up with just anything. We usually made enough at a show to get us to the next town. I remember staying at the Iroquois Hotel in Times Square. We were all in one room – Peter slept in the closet – and I had five dollars a day to eat. I'd get the biggest potato knish I could find for $1.30 to get me through the day. The rest was beer money.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here

prev
Music Main Next
Daily Newsletter

Get the latest RS news in your inbox.

Sign up to receive the Rolling Stone newsletter and special offers from RS and its
marketing partners.

X

We may use your e-mail address to send you the newsletter and offers that may interest you, on behalf of Rolling Stone and its partners. For more information please read our Privacy Policy.

Song Stories

“Promiscuous”

Nelly Furtado with Timbaland | 2006

This club-oriented single featuring Timbaland, who produced Nelly Furtado's third album, Loose, was Furtado’s sexy return after the Canadian singer's exploration of her Portuguese heritage on Folklore. "In the studio, initially I didn’t know if I could do it, 'cause Timbaland wrote that chorus," Furtado said. "I'm like, 'That's cool, but I don't know if I'm ready to do full-out club.'" The flirty lyrics are a dance between a guy and girl, each knowing they will end up in bed together but still playing the game. "Tim and I called it 'The BlackBerry Song,' she said, "because everything we say in the song you could text-message to somebody."

More Song Stories entries »
 
www.expandtheroom.com