Prince Talks: The Silence is Broken

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Prince pulls the T-Bird into an alley behind a street of neat frame houses, stops behind a wooden one-car garage and rolls down the window. Relaxing against a tree is a man who looks like Cab Calloway. Dressed in a crisp white suit, collar and tie, a trim and smiling John Nelson adjusts his best cuff links and waves. "Happy birthday," says the son. "Thanks," says the father, laughing. Nelson says he's not even allowing himself a piece of cake on his birthday. "No, not this year," he says with a shake of his head. Pointing at his son, Nelson continues, "I'm trying to take off ten pounds I put on while visiting him in Los Angeles. He eats like I want to eat, but he exercises, which I certainly don't."

Father then asks son if maybe he should drive himself to the pool game so he won't have to be hauled all the way back afterward. Prince says okay, and Nelson, chuckling, says to the stranger, "Hey, let me show you what I got for my birthday two years ago." He goes over to the garage and gives a tug on the door handle. Squeezed inside is a customized deep-purple BMW. On the rear seat is a copy of Prince's latest LP, Around the World in a Day. While the old man gingerly backs his car out, Prince smiles. "He never drives that thing. He's afraid it's going to get dented." Looking at his own white T-Bird, Prince goes on: "He's always been that way. My father gave me this a few years ago. He bought it new in 1966. There were only 22,000 miles on it when I got it."

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An ignition turns. "Wait," calls Prince, remembering something. He grabs a tape off the T-Bird seat and yells to his father, "I got something for you to listen to. Lisa [Coleman] and Wendy [Melvoin] have been working on these in L.A." Prince throws the tape, which the two female members of his band had mixed, and his father catches it with one hand. Nelson nods okay and pulls his car behind his son's in the alley. Closely tailing Prince through North Minneapolis, he waves and smiles whenever we look back. It's impossible to believe that the gun-toting geezer in Purple Rain was modeled after John Nelson.

"That stuff about my dad was part of [director-cowriter] Al Magnoli's story," Prince explains. "We used parts of my past and present to make the story pop more, but it was a story. My dad wouldn't have nothing to do with guns. He never swore, still doesn't, and never drinks." Prince looks in his rearview mirror at the car tailing him. "He don't look sixty-nine, do he? He's so cool. He's got girlfriends, lots of 'em." Prince drives alongside two black kids walking their bikes. "Hey, Prince," says one casually. "Hey," says the driver with a nod, "how you doing?"

Passing by old neighbors watering their lawns and shooting hoops, the North Side's favorite son talks about his hometown. "I wouldn't move, just cuz I like it here so much. I can go out and not get jumped on. It feels good not to be hassled when I dance, which I do a lot. It's not a thing of everybody saying, 'Whoa, who's out with who here?' while photographers flash their bulbs in your face."

Nearing the turnoff that leads from Minneapolis to suburban Eden Prairie, Prince flips in another tape and peeks in the rearview mirror. John Nelson is still right behind. "It's real hard for my father to show emotion," says Prince, heading onto the highway. "He never says 'I love you,' and whenever we try to hug or something, we bang our heads together like in some Charlie Chaplin movie. But a while ago, he was telling me how I always had to be careful. My father told me, 'If anything happens to you, I'm gone.' All I thought at first was that it was a real nice thing to say. But then I thought about it for a while and realized something. That was my father's way of saying 'I love you.' "

A few minutes later, Prince and his father pull in front of the Warehouse, a concrete barn in an Eden Prairie industrial park. Inside, the Family, a rock-funk band that Prince has begun working with, is pounding out new songs and dance routines. The group is as tight as ace drummer Jellybean Johnson's pants. At the end of one hot number, Family members fell on their backs, twitching like fried eggs.

Prince and his father enter to hellos from the still-gyrating band. Prince goes over to a pool table by the soundboard, racks the balls and shimmies to the beat of the Family's next song. Taking everything in, John Nelson gives a professional nod to the band, his son's rack job and his own just-chalked cue. He hitches his shoulders, takes aim and breaks like Minnesota Fats. A few minutes later, the band is still playing and the father is still shooting. Prince, son to this father and father to this band, is smiling.

The night before, in the warehouse, Prince is about to break his three-year public silence. Wearing a jump suit, powder-blue boots and a little crucifix on a chain, he dances with the Family for a little while, plays guitar for a minute, sings lead for a second, then noodles four-hand keyboard with Susannah Melvoin, Wendy's identical-twin sister.

Seeing me at the door, Prince comes over. "Hi," he whispers, offering a hand, "want something to eat or drink?" On a table in front of the band are piles of fruit and a couple bags of Doritos. Six different kinds of tea sit on a shelf by the wall. No drugs, no booze, no coffee. Prince plays another lick or two and watches for a few more minutes, then waves goodbye to the band and heads for his car outside the concrete barn.

"I'm not used to this," mumbles Prince, staring straight ahead through the windshield of his parked car. "I really thought I'd never do interviews again." We drive for twenty minutes, talking about Minnesota's skies, air and cops. Gradually, his voice comes up, bringing with it inflections, hand gestures and laughs.

Soon after driving past a field that will house a state-of-the-art recording studio named Paisley Park, we pull down a quiet suburban street and up to the famous purple house. Prince waves to a lone, unarmed guard in front of a chain-link fence. The unremarkable split-level house, just a few yards back from the minimum security, is quiet. No fountains out front, no swimming pools in back, no black-faced icons of Yahweh or Lucifer. "We're here," says Prince, grinning. "Come on in."

One look inside tells the undramatic story. Yes, it seems the National Enquirer – whose Minneapolis Babylon exposé of Prince was excerpted in numerous other newspapers this spring – was exaggerating. No, the man does not live in an armed fortress with only a food taster and wall-to-wall, life-size murals of Marilyn Monroe to talk to. Indeed, if a real-estate agent led a tour through Prince's house, one would guess that the current resident was, at most, a hip suburban surgeon who likes deep-pile carpeting.

"Hi," says Rande, from the kitchen, "you got a couple of messages." Prince thanks her and offers up some homemade chocolate-chip cookies. He takes a drink from a water cooler emblazoned with a Minnesota North Stars sticker and continues the tour. "This place," he says, "is not a prison. And the only things it's a shrine to are Jesus, love and peace."

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