.

Ono, Kravitz Wake Up

Political songs featured on new compilation

August 17, 2004 12:00 AM ET
Wake Up Everybody, a compilation of politically minded songs, will arrive in stores September 21st. The album's title track is Kenneth "Babyface" Edmonds' re-recording of the Harold Melvin and the Blue Notes' 1975 hit. The new version features Mary J. Blige, Missy Elliott, Jaheim and Nate Dogg.

The compilation also includes Yoko Ono's "Give Peace a Chance 2004" -- a remix of John Lennon's 1969 song with Ono's post-9/11, spoken-word lyrics -- and previously released tracks from Lenny Kravitz, Emmylou Harris and the Roots. All proceeds from the album's sales will benefit America Coming Together (ACT), a campaign to increase voter registration and support progressive candidates.

The Wake Up Everybody track listing:

"Wake Up Everybody," Various Artists
"Give Peace a Chance 2004," Yoko Ono
"Why (What's Going On?)," The Roots
"Stop the Fighting," Ellie Lawson
"Revolution," Ben Jelen
"Hell to Pay," Bonnie Raitt
"Freedom," Jurassic 5
"Fear," Lenny Kravitz
"Get It Together," Seal
"Time in Babylon," Emmylou Harris
"This Land is Your Land," Everclear
"The Wind," Matt Nathanson
"Change the World," Eric Clapton and Babyface

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here

prev
Music Main Next

blog comments powered by Disqus
Daily Newsletter

Get the latest RS news in your inbox.

Sign up to receive the Rolling Stone newsletter and special offers from RS and its
marketing partners.

X

We may use your e-mail address to send you the newsletter and offers that may interest you, on behalf of Rolling Stone and its partners. For more information please read our Privacy Policy.

Song Stories

“All Along the Watchtower”

The Jimi Hendrix Experience | 1968

Jimi Hendrix got hold of Bob Dylan's early John Wesley Harding tapes and in late 1967 recorded a version of "All Along the Watchtower" with the Experience in London. Dissatisfied with that first development, Hendrix brought those tapes with him to New York in early 1968 when he began work on Electric Ladyland. Eddie Kramer, Hendrix's engineer at the time, told Rolling Stone that Hendrix "was still looked upon by his basically white audience as the mammoth black guitar hero. There was a constant fight within him to expand himself." Hendrix's successful take on Dylan's work has long been recognized by the songwriter. "I liked Jimi Hendrix's record of this and ever since he died I've been doing it that way," Dylan wrote in the liner notes to his Biograph box set. "Strange how when I sing it, I always feel it's a tribute to him in some kind of way."

More Song Stories entries »