.

On the Charts: Lil Wayne Retakes Number One From Coldplay

July 9, 2008 11:22 AM ET

The Big News: After a two week vacation, Lil Wayne reclaimed the top spot as Tha Carter III sold 156,000 copies to swap places with Coldplay's Viva La Vida. There was a consolation for Chris Martin, however, as his band's fourth album went platinum in its third week. The Camp Rock soundtrack held onto the number three spot for the third consecutive week. A pair of debuts, G Unit's T.O.S. (Terminate on Sight) and John Mayer's Where the Light Is, rounded out the top five.

Debuts: It was a pretty tepid week for debuts, with only two other new albums — Tech N9ne's Killer at 12 and Alkaline Trio's Agony and Irony at 13 — sneaking into the top 20. My Chemical Romance's live The Black Parade is Dead! came in at 22 and only 22,000 High School Musical fans bought Vanessa Hudgens' sophomore album Identified.

Last Week's Heroes: While the top three stayed the same, the rest of the top ten got all shook up, with last week's number four, Mötley Crüe's Saints of Los Angeles, dropping to sixteen after a 69% sales decrease and Three 6 Mafia's Last 2 Walk dropped from five to 11. Meanwhile, Kid Rock's Rock & Roll Jesus is enjoying a bit of a resurgence, jumping from twelve to seven after 39 weeks on the charts.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here

prev
Music Main Next

blog comments powered by Disqus
Daily Newsletter

Get the latest RS news in your inbox.

Sign up to receive the Rolling Stone newsletter and special offers from RS and its
marketing partners.

X

We may use your e-mail address to send you the newsletter and offers that may interest you, on behalf of Rolling Stone and its partners. For more information please read our Privacy Policy.

Song Stories

“Everyday People”

Sly and the Family Stone | 1968

"Everyday People" managed to trailblaze in two different ways -- it was one of the first pop hits to deal with the subject of racial harmony, and it utilized Larry Graham's "slap" technique on the bass guitar, which would soon be copied by countless other bassists. Graham once said about his pulsating style, "I'd never done that before … that's where the freedom of creativity came in for the band, that we'd be allowed to do that." In 1978, the song's line "Different strokes for different folks" would be borrowed for the title of the hit television show Diff'rent Strokes.

More Song Stories entries »