.

New Bruce Springsteen Album Set for Spring

Springsteen set to release rootsy new album to follow 2002's 'The Rising'

March 10, 2005
Bruce Springsteen
Bruce Springsteen
Scott Gries/Getty Images

Bruce Springsteen will release a raw, rootsy new album, Devils and Dust, on April 26th. "This is not exactly like any prior Bruce release," says a source close to the artist. "It's neither an E Street Band album nor an acoustic album. A good half of it really rocks." A tour of major cities will follow, with Springsteen potentially playing with some E Streeters.

Like 2002's The Rising, the new album — Springsteen's thirteenth studio release — was produced by Brendan O'Brien. The producer also played bass on most tracks, in a trio that included Springsteen on guitar and session vet Steve Jordan on drums. Some songs feature E Street member Soozie Tyrell on violin, and others use a full string section.

Springsteen wrote much of the material in a three-year period after 1995's The Ghost of Tom Joad (two tracks, the story-song "The Hitter" and the poetic ballad "Long Time Comin'," have popped up in live shows). But the hard-rocking, politically charged title track is new. Says the source, "It's an overview song, in the tradition of 'Badlands' and 'Born in the U.S.A.'"

This story is from the March 10th, 2005 issue of Rolling Stone.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here

prev
Music Main Next

blog comments powered by Disqus
Daily Newsletter

Get the latest RS news in your inbox.

Sign up to receive the Rolling Stone newsletter and special offers from RS and its
marketing partners.

X

We may use your e-mail address to send you the newsletter and offers that may interest you, on behalf of Rolling Stone and its partners. For more information please read our Privacy Policy.

Song Stories

“All Along the Watchtower”

The Jimi Hendrix Experience | 1968

Jimi Hendrix got hold of Bob Dylan's early John Wesley Harding tapes and in late 1967 recorded a version of "All Along the Watchtower" with the Experience in London. Dissatisfied with that first development, Hendrix brought those tapes with him to New York in early 1968 when he began work on Electric Ladyland. Eddie Kramer, Hendrix's engineer at the time, told Rolling Stone that Hendrix "was still looked upon by his basically white audience as the mammoth black guitar hero. There was a constant fight within him to expand himself." Hendrix's successful take on Dylan's work has long been recognized by the songwriter. "I liked Jimi Hendrix's record of this and ever since he died I've been doing it that way," Dylan wrote in the liner notes to his Biograph box set. "Strange how when I sing it, I always feel it's a tribute to him in some kind of way."

More Song Stories entries »