My Chemical Romance Trade Theatrics for Raw Rock on Next LP

When My Chemical Romance finally stopped touring behind their 2006 concept album The Black Parade, the band was so drained guitarist Frank Iero feared the worst: "I thought the band was going to break up." But instead of splitting, MCR took a break, then hit a Los Angeles studio with Pearl Jam and Bruce Springsteen producer Brendan O'Brien and spent almost a full year crafting something far from the theatrical pomp of the Parade. As singer Gerard Way tells Rolling Stone in our new issue, he wanted to "harness everything that's great about this band into shorter songs. Almost protopunk, like the Stooges or the MC5."

The New Jersey quintet's as-yet-untitled fourth disc is due in the spring, and RS hung out in the studio while Way cut some vocals for "Trans Am," the track that stoked their new creative direction and pushed them to become "an American rock band instead of a British rock band," as he puts it. The first-pumper begins with "I got a bulletproof heart" and includes a Queen-esque section where Way sings "These pigs are after me, after you" repeatedly.

When RS caught up with Way at Comic-Con earlier this year, he reported the band had written its very own "Born to Run" in "Death Before Disco." "I can't wait for people to hear it. To me, it's the greatest song we've ever written — it's my favorite MCR song," he said.

For the full story on the band's upcoming disc, grab the latest issue of RS, on stands now.

Related Stories:
• Q&A: Gerard Way
• My Chemical Romance: The Six-Pack Q&A

• 
  MUSIC Exclusive Live Chat With Linkin Park and Incubus
• 
  MOVIES & TV Peter Travers: 'The Avengers' Has it All
• 
  POLITICS Matt Taibbi: Jon Corzine Is the Original Zimmerman
• 
  VIDEOS Exclusive Premiere: Tenacious D's 'Tinnitus'

Song Stories

“Piano Man”

Billy Joel | 1973

Billy Joel’s first hit, “Piano Man,” was – ironically – an autobiographical lament about how his first album wasn’t a hit. When Cold Spring Harbor didn’t take off, Joel briefly became a lounge pianist in Los Angeles, and this song, about that experience, expressed his frustrations and fears at the time: “And they sit at the bar and put bread in my jar/And say, ‘Man, what are you doing here?’” “It was all right,” Joel said later, about the gig. “I got free drinks and union scale, which was the first steady money I’d made in a long time.”

More Song Stories entries »

Twitter