Miranda Lambert Gets Personal on 'Platinum'

Inside the country superstar's fifth album: Campy fun and contemplative moments

April 3, 2014 11:00 AM ET
Miranda Lambert
Miranda Lambert
David McClister

Miranda Lambert breezes into the headquarters of her Nashville record label and apologizes for her leopard-print bandanna and pigtails. "I didn't feel like doing my hair today," the country superstar says, grinning like she's not really that sorry. She's wearing motorcycle boots, a black leather jacket and a white T-shirt with a bull on it, and her electric-pink lipstick perfectly matches her big Gucci purse. "My manager gave this to me for Christmas – I would never buy myself a Gucci bag," Lambert says. She flashes a big wink. "But I love it."

2014 ACM Awards' 13 best & worst moments

Lambert has earned the right to splurge. All four of her previous solo albums have each sold a million copies, and she and husband Blake Shelton are country's Jay Z and­ Beyoncé. Lambert's fifth LP, due in June, is called Platinum; she co-wrote the title track at her glitzy Nashville condo. "We're almost on the top floor," she says. "But I don't want to sound pretentious. It's about platinum records, but also the color of an Airstream, and the color of my hair. It's a campy, fun song."

Lambert, 30, made her name with rip-roaring revenge anthems like 2007's "Crazy Ex-Girlfriend," but lately she's been feeling more contemplative. The new LP has tender songs about the demands of beauty, like "Bathroom Sink," and self-effacing, funny ones, like "Gravity's a Bitch." ("It's like, 'Whoa! I gotta do some lunges!'" she says.) "I'll still shoot a two-timing man if I need to," she says. "But I'm not just burning houses down anymore. I have more to sing about."

With their strong female perspective and emotional complexity, Lambert's songs are a corrective to Nashville's proliferation of babe-and-truck jams. "What are they calling it, 'bro country'?" she says. "I love those songs, but for a minute there, it felt like girls ran the show. We have to save this thing we've made – Carrie [Underwood] and Taylor [Swift] and me."

Lambert will soon visit Shelton in L.A., as well as hang out at her ranch in Tishomingo, Oklahoma – where a new law recently allowed restaurants to serve mixed drinks. "We're hoping an Applebee's or a Chili's will come in," she says. "The town is growing. We're getting a Dollar General on my side of town – I'm very excited." She smiles. "It's the little things."

This story is from the April 10th, 2014 issue of Rolling Stone.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here

Music Main Next

blog comments powered by Disqus
Around the Web
Powered By ZergNet
Daily Newsletter

Get the latest RS news in your inbox.

Sign up to receive the Rolling Stone newsletter and special offers from RS and its
marketing partners.


We may use your e-mail address to send you the newsletter and offers that may interest you, on behalf of Rolling Stone and its partners. For more information please read our Privacy Policy.

Song Stories

“Madame George”

Van Morrison | 1968

One of the first stream-of-consciousness epics to make it onto a Van Morrison record, his drawn-out farewell to the eccentric "Madame George" lasted nearly 10 minutes, combining ingredients from folk, jazz and classical music. The character that gave the song its title provoked speculation that it was about a drag queen, though Morrison denied this in Rolling Stone. "If you see it as a male or a female or whatever, it's your trip," he remarked. "I see it as a ... a Swiss cheese sandwich. Something like that."

More Song Stories entries »