.

Michael Jackson's Bodyguard: Dr. Murray Hid Drug Vials

Prosecutors claim doctor never told paramedics about lethal sedative

September 30, 2011 8:50 AM ET
conrad murray michael jackson trial
Deputy Dist. Atty. David Walgren holds a bottle of Propofol as he questions security guard, Alberto Alvarez in the Dr. Conrad Murray involuntary manslaughter trial at the Los Angeles Superior Court
Al Seib-Pool/Getty Images

Michael Jackson's bodyguard Alberto Alvarez testified yesterday that Dr. Conrad Murray, the doctor on trial for involuntary manslaughter in the pop icon's death, had instructed him to collect vials of drugs before paramedics arrived at the singer's home on the day he died in June 2009.

Photos: Michael Jackson Remembered
According to Alvarez, Murray removed all of the medicine from Jackson's nightstand and had him take it away in a bag before calling 911. Alvarez says he had assumed that Murray intended to take the items to the hospital along with Jackson's body. Prosecutors claim that Murray never took the drugs to the hospital, and that he did not mention to medical personnel that he had been giving the singer doses of the sedative Propofol as a sleep aid. Medical tests show that Jackson died from an overdose of that anesthetic.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here

prev
Music Main Next

blog comments powered by Disqus
Daily Newsletter

Get the latest RS news in your inbox.

Sign up to receive the Rolling Stone newsletter and special offers from RS and its
marketing partners.

X

We may use your e-mail address to send you the newsletter and offers that may interest you, on behalf of Rolling Stone and its partners. For more information please read our Privacy Policy.

Song Stories

“The Everchanging Spectrum of a Lie”

The Joy Formidable | 2011

The opener off the Welsh group’s The Big Roar album was an epic one, but the band was worried that track had polarized fans. “The first song is eight minutes long,” Rhydian Dafydd, the Joy Formidable bassist, said. “If you did that in the Seventies people would be, ‘Whatever.’ You do it now, people think, ‘Holy s---!’ Some people think it’s the f---ing greatest track on the entire album, and some people think it’s f---ing boring. It’s that element of needing to challenge people.” The band concluded through the song’s lyrics that love was the “everchanging spectrum of a lie.”

More Song Stories entries »