With stacks of amps behind him and the leader of the free world just two feet in front, Paul McCartney brought rock & roll to the East Room of the White House last night as he collected the Library of Congress' Gershwin Prize for Popular Song, an award that acknowledged his contributions to the American songbook. (McCartney is the first person who is not American to receive the award.) Joined by a diverse group of musicians from Elvis Costello to the Jonas Brothers, the mood was mostly playful and the assembled musical guests performed stirring versions of songs from the Beatle's decades-spanning career.
But there were somber moments, too, including remarks from Obama about the BP oil disaster, and some overtly political comments from McCartney, who praised Obama and took some digs at George W. Bush. "Getting this prize would just be good enough, but getting it from this president …," McCartney said. Later, he noted, "After the last eight years, it's great to have a president who knows what a library is." But the evening, after all, was about McCartney, and Obama praised the timelessness and the universal appeal of McCartney's music — and also geeked out with some Beatles statistics: 200 of McCartney's songs have charted, Obama said, and they've stayed there for "a cumulative total of 32 years."
Throughout the evening, the president — sitting with the first family and McCartney's girlfriend, Nancy Shevell — occasionally let down his guard and was visibly transported by the Beatle's music. During McCartney's opening number, "Got to Get You Into My Life," Obama briefly closed his eyes, smiled broadly, and swayed his head sideways. During Stevie Wonder's lean and energetic rendition of "We Can Work It Out," the president and first lady grooved and made eye contact, even as their daughters appeared somewhat stone-faced. Sasha and Malia Obama, however, were more receptive to the next performers: the Jonas Brothers, who turned in a note-perfect, lively version of "Drive My Car."
For every joyous anthem, there was a quiet, pensive number: Emmylou Harris delivered an earthy and reflective "For No One" while Jack White seemed to cover "Mother Nature’s Son" with the Delta blues in mind. Herbie Hancock and Corinne Bailey Rae's "Blackbird" was gentle and unrushed, greatly enhanced by Hancock's prismatic flourishes. Faith Hill's "The Long and Winding Road" treated the meditative ballad like a popular — and not a pop — standard, with muscular backing from McCartney's band.
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