.

Listen Up: Ryan Adams' 70s-Rock Feel

Plus: OMD pays homage to the xx, Morose gets "Tired"

November 19, 2010 6:20 PM ET

Ryan Adams, "Destroyers"
The first track from Adams' forthcoming album Cardinals III/IV, which collects material recorded during the Easy Tiger sessions into "the Cardinals second double-album concept rock opera about the '80s, ninjas, cigarettes, sex and pizza," has more of a loose-limbed, '70s-rock feel. Not that this quality is necessarily a bad thing. (Adams' site also has some demos from that era available for download.)

OMD, "VCR"
Britain's New Wave stalwarts tip their collective cap to the next generation with this beautiful cover of a song by their much-buzzed-about fellow citizens the xx. This haunting track recalls the heights reached by the band's 1981 synthpop masterpiece Architecture & Morality. [Via]

Morose, "Tired"
The name of this band, and this song, will probably give you a good idea of just how downcast the music is. Thankfully, the misery the band wallows in comes off beautifully, thanks in part to a vocalist with a wail not unlike Morrissey's — and the three musicians who make up Morose figuring out a way to seamlessly segue autumnal shoegaze into a lovely pile of shimmering electropop.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here

prev
Music Main Next
Daily Newsletter

Get the latest RS news in your inbox.

Sign up to receive the Rolling Stone newsletter and special offers from RS and its
marketing partners.

X

We may use your e-mail address to send you the newsletter and offers that may interest you, on behalf of Rolling Stone and its partners. For more information please read our Privacy Policy.

Song Stories

“Money For Nothing”

Dire Straits | 1984

Mark Knopfler wrote this song with Sting, and it wasn’t without controversy. The Dire Straits frontman's original lyric used the word “faggot” to describe a singer who got their “money for nothing and their chicks for free.” Even though the slur was edited out in many versions, the band, and Knopfler, still took plenty of criticism for the term. “I got an objection from the editor of a gay newspaper in London--he actually said it was below the belt,” Knopfler told Rolling Stone. Still, "Money For Nothing," undoubtedly augmented by its innovative early computer-animated video, stayed at Number One for three weeks.

More Song Stories entries »
 
www.expandtheroom.com