Levon Helm Gets Back To House Party Roots With "Midnight Ramble" Barn Parties

Over 40 years since his earthy wail graced the Band's classic-beyond-classic "The Weight" — and 11 years since cancer and radiation treatments reduced it to a whisper — singer-drummer Levon Helm is busy making music as powerful as ever. In the latest issue of Rolling Stone, Austin Scaggs hung out in Helm's kitchen just outside of Woodstock, New York. Since 2004, he's been holding the Midnight Ramble, a relaxed jam held nearly every Saturday in his barn. Since Helm's cancer was defeated and his vocal cords have returned, he's released two albums, the Grammy-winning collection of country hymns and folk tunes Dirt Farmer, and this year's Electric Dirt. "This go round has been a lot more fun," he says. "Now I know I've got enough voice to do it." Both albums were fueled on the intimate energy of his weekly Rambles.

"The Midnight Ramble is Helm's idea of a perfect house party," writes Scaggs. "Old-time music, playing late into the night, studio quality acoustics and a rapt audience, many of whom arrive bearing casseroles for the potluck dinner. There is an appealing intimacy at the barn; from the best seats one can literally reach out and touch Helm's ride cymbal." After radiation treatments destroyed his vocal cords, Helm used the Rambles to ease back into singing, slowly working his voice back up in a relaxed environment, and as Helm says, "without some club owner or promoter telling me to sing a few 'old ones."

Read more about Helm's Midnight Ramble, and his various special guests (Elvis Costello, Emmylou Harris, Dr. John, Donald Fagen and many more) in RS issue 1084, on newsstands now.

• 
  MUSIC Exclusive Live Chat With Linkin Park and Incubus
• 
  MOVIES & TV Peter Travers: 'The Avengers' Has it All
• 
  POLITICS Matt Taibbi: Jon Corzine Is the Original Zimmerman
• 
  VIDEOS Exclusive Premiere: Tenacious D's 'Tinnitus'

Song Stories

“Piano Man”

Billy Joel | 1973

Billy Joel’s first hit, “Piano Man,” was – ironically – an autobiographical lament about how his first album wasn’t a hit. When Cold Spring Harbor didn’t take off, Joel briefly became a lounge pianist in Los Angeles, and this song, about that experience, expressed his frustrations and fears at the time: “And they sit at the bar and put bread in my jar/And say, ‘Man, what are you doing here?’” “It was all right,” Joel said later, about the gig. “I got free drinks and union scale, which was the first steady money I’d made in a long time.”

More Song Stories entries »

Twitter