.

Lady Gaga, New York Doll

Gaga worships Warhol, kisses girls (for real), and she's the biggest new pop star of 2009

June 11, 2009
Lady Gaga, New York Doll
Photograph by David LaChapelle

For a young woman who's dressed like an alien empress, Lady Gaga is acting strangely human. She's curled up with her ex-model boyfriend, Speedy, on a tour-van seat, looking as cozy as anyone in a sparkly, curve-clutching cat suit with spiked, winglike shoulders could possibly get. "He thinks I'm pretty," Gaga purrs, batting huge false eyelashes as she rests her platinum-blond head on Speedy's shoulder, nearly poking his eye out with a shoulder spike.

Photos: Lady Gaga's Fashion Icons

As the van cruises along California's 405 freeway, heading from an Irvine amphitheater to a Burbank soundstage, fireworks bloom in the distant sky over Disneyland. Gaga, who's been munching handfuls of kettle corn and sipping from a can of Diet Coke, turns pensive. "What am I doing right now?" she asks, sounding sleepy and uncharacteristically vulnerable. "Who am I?"

With theatrical timing, an interloper chirps an answer from the back seat: "You're the new princess of pop!"

The voice belongs to the gossip blogger Perez Hilton, an early and fervent Gaga supporter. He's been hanging around all day in his leopard-print Adidas T-shirt, offering compliments and toothy smiles. Gaga laughs, shocked at the near-scripted perfection of the moment. "You are," Hilton drawls, flashing the teeth.

Video: Lady Gaga Pays Surprise Visit to Manhattan Club

Less than an hour ago, in front of 15,000 shrieking teens at the radio concert Wango Tango, Gaga sang a set that included both "Just Dance" and "Poker Face" — the synthed-up, Eighties-flavored dance-pop hits that, along with her art-damaged, Euro-futuristic fashion sense, have made her the defining pop star of 2009: She reigns over a self-created, plasticized aesthetic universe with Madonna-esque assurance — and offsets her oddness with shamelessly ingratiating pop hooks. With its refrain of "Just dance/Gonna be OK" (the narrator is so wasted at the club that she's lost her keys and phone), Gaga's first hit could be heard as a keep-on-pushing anthem or an endorsement of total denial — either way, perfect recession fodder. "Poker Face," in its way, has more layers — it's about Gaga wanting to sleep with a woman while she's dating a guy (hence the line "I'm bluffin' with my muffin"). The two hits have led to a platinum album — an increasingly rare feat — and nearly 10 million digital singles sold, per Nielsen SoundScan.

Photos: Lady Gaga's Best Looks

A few days earlier, the 23-year-old singer played a concert in New York that felt like a coronation: Madonna (with daughter Lourdes in tow) and Cyndi Lauper both turned up. And on tonight's new episode of Saturday Night Live, Justin Timberlake gives his own endorsement, singing loving, dead-on parody versions of both singles. (A week later, Rivers Cuomo will sing part of "Poker Face" at a Weezer show.)

In the face of tween pop's relentless cuteness assault, Gaga — who worships Andy Warhol and Grace Jones, and thanks David Bowie and Madonna for inspiration in her liner notes — is a pop star for misfits and outcasts. She would rather look interesting than pretty. "I don't feel that I look like the other perfect little pop singers," says Gaga, who has a still-unreleased song called "Ugly Sexy." "I think I look new. I think I'm changing what people think is sexy."

Photos: How Lady Gaga, Bono and More Rockers Moonlight

In the van, Gaga laughs as she watches for the first time a video for "Butterface," a vicious "Poker Face" parody (sample lyric: "You were thinking that I'm a 10/But my body's like a Barbie/And my face is like a Ken"). In truth, Gaga's attractive, slightly off-kilter features — ethnic nose, prominent front teeth — seem almost infinitely mutable: One day she looks like Debbie Harry, the next, Donatella Versace. But up close, she's always softer, prettier and younger-looking than her ultrastylized photos might suggest.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here

prev
Music Main Next

blog comments powered by Disqus
Daily Newsletter

Get the latest RS news in your inbox.

Sign up to receive the Rolling Stone newsletter and special offers from RS and its
marketing partners.

X

We may use your e-mail address to send you the newsletter and offers that may interest you, on behalf of Rolling Stone and its partners. For more information please read our Privacy Policy.

Song Stories

“Stillness Is the Move”

Dirty Projectors | 2009

A Wim Wenders film and a rapper inspired the Dirty Projectors duo David Longstreth and Amber Coffmanto write "sort of a love song." "We rented the movie Wings of Desire from Dave's brother's recommendation, and he had me go through it and just write down some things that I found interesting, and they made it into the song," Coffman said. As for the hip-hop connection, Longstreth explained, "The beat is based on T-Pain. We commissioned a radio mix of the song by the guy who mixes all of Timbaland's records, but the mix we made sounded way better, so we didn't use it."

More Song Stories entries »
 
www.expandtheroom.com