.

Kanye West's 'New Slaves' Screening Shut Down by Houston Police

Crowd at Rothko Chapel told they would be arrested for trespassing if they didn't leave

Kanye West performs on Saturday Night Live on May 18th, 2013 in New York City.
Dana Edelson/NBC/NBCU
May 25, 2013 12:17 PM ET

A screening of Kanye West's "New Slaves" video in Houston came to an early end last night when police arrived to shut down the projection. According to the Houston Chronicle, the Houston police broke up an "upbeat, respectful crowd" who had gathered to watch the display at Rothko Chapel.

The paper reports that the police pulled several cars onto the grass with flashing lights and sirens, telling the crowd that they would be arrested for trespassing if they didn’t leave.

Kanye West Premieres 'New Slaves' With Video Projections Around the World

West debuted the song "New Slaves" last week with video projections on the facades of 66 buildings across the world. He announced a series of new locations for the display on Friday, including three sites in Houston. The Chronicle reports that neither of the two other Houston screenings worked out as planned: The projection at the Central Library was shut down due to "technical difficulties" and one planned for the George Bush Monument never materialized. 

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here

prev
Music Main Next

blog comments powered by Disqus
Daily Newsletter

Get the latest RS news in your inbox.

Sign up to receive the Rolling Stone newsletter and special offers from RS and its
marketing partners.

X

We may use your e-mail address to send you the newsletter and offers that may interest you, on behalf of Rolling Stone and its partners. For more information please read our Privacy Policy.

Song Stories

“Stillness Is the Move”

Dirty Projectors | 2009

A Wim Wenders film and a rapper inspired the Dirty Projectors duo David Longstreth and Amber Coffmanto write "sort of a love song." "We rented the movie Wings of Desire from Dave's brother's recommendation, and he had me go through it and just write down some things that I found interesting, and they made it into the song," Coffman said. As for the hip-hop connection, Longstreth explained, "The beat is based on T-Pain. We commissioned a radio mix of the song by the guy who mixes all of Timbaland's records, but the mix we made sounded way better, so we didn't use it."

More Song Stories entries »
 
www.expandtheroom.com