.

Jimi Hendrix, 1942-1970

Page 4 of 4

Jimi was pleased to find he was wrong, that they still liked him in Europe, and the interview ended with him stressing, "I'm happy, it's gonna be good."

Hendrix explained that he had been "... thinking about the future. Thinking that this era of music – sparked off by the Beatles – had come to an end. Something new has got to come, and Jimi Hendrix will be there.

"I want a big band. I don't mean three harps and 14 violins. I mean a big band full of competent musicians that I can conduct and write for. And with the music we will paint pictures of earth and space, so that the listener can be taken somewhere.

"It's going to be something that will open up a new sense in people's minds. They are getting their minds ready now. Like me, they are going back home, getting fat, and making themselves ready for the next trip.

"You see, music is so important. I don't any longer dig the pop and politics crap. That's old-fashioned. It was somebody's personal opinion. But politics is old hat. Anyone can go round shaking babies by the hand and kissing the mothers, and saying that it was groovy. But you see, you can't do this in music. Music doesn't lie. I agree it can be misinterpreted, but it doesn't lie.

"When there are vast changes in the way the world goes, it's usually something like art and music that changes it. Music is going to change the world next time.

"We are going to stand still for a while, and gather everything we've learned musically in the last 30 years, and we are going to blend all the ideas that worked into a new form of classical music. It's going to take some doing to figure out all the things that worked, but it's going to be done.

"I dig Strauss and Wagner – those cats are good, and I think that they are going to form the background of my music. Floating in the sky above it will be blues – I've still got plenty of blues – and then there will be Western sky music and sweet opium music (you'll have to bring your own opium) and these will be mixed together to form one.

"You know the drug scene came to a big head. It was opening up things in people's minds, giving them things that they just couldn't handle. Well, music can do that, you know, and you don't need any drugs.

"The term 'blowing someone's mind' is valid. People like you to blow their minds, but then we are going to give them something that will blow their mind, and while it's blown, there will be something to fill the gap. It's going to be a complete form of music," he had said.

This story is from the October 15th, 1970 issue of Rolling Stone.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here

prev
Music Main Next

blog comments powered by Disqus
Daily Newsletter

Get the latest RS news in your inbox.

Sign up to receive the Rolling Stone newsletter and special offers from RS and its
marketing partners.

X

We may use your e-mail address to send you the newsletter and offers that may interest you, on behalf of Rolling Stone and its partners. For more information please read our Privacy Policy.

Song Stories

“Money For Nothing”

Dire Straits | 1984

Mark Knopfler wrote this song with Sting, and it wasn’t without controversy. The Dire Straits frontman's original lyric used the word “faggot” to describe a singer who got their “money for nothing and their chicks for free.” Even though the slur was edited out in many versions, the band, and Knopfler, still took plenty of criticism for the term. “I got an objection from the editor of a gay newspaper in London--he actually said it was below the belt,” Knopfler told Rolling Stone. Still, "Money For Nothing," undoubtedly augmented by its innovative early computer-animated video, stayed at Number One for three weeks.

More Song Stories entries »
 
www.expandtheroom.com