Jimi Hendrix, 1942-1970

Page 4 of 4

Jimi was pleased to find he was wrong, that they still liked him in Europe, and the interview ended with him stressing, "I'm happy, it's gonna be good."

Hendrix explained that he had been "... thinking about the future. Thinking that this era of music – sparked off by the Beatles – had come to an end. Something new has got to come, and Jimi Hendrix will be there.

"I want a big band. I don't mean three harps and 14 violins. I mean a big band full of competent musicians that I can conduct and write for. And with the music we will paint pictures of earth and space, so that the listener can be taken somewhere.

"It's going to be something that will open up a new sense in people's minds. They are getting their minds ready now. Like me, they are going back home, getting fat, and making themselves ready for the next trip.

"You see, music is so important. I don't any longer dig the pop and politics crap. That's old-fashioned. It was somebody's personal opinion. But politics is old hat. Anyone can go round shaking babies by the hand and kissing the mothers, and saying that it was groovy. But you see, you can't do this in music. Music doesn't lie. I agree it can be misinterpreted, but it doesn't lie.

"When there are vast changes in the way the world goes, it's usually something like art and music that changes it. Music is going to change the world next time.

"We are going to stand still for a while, and gather everything we've learned musically in the last 30 years, and we are going to blend all the ideas that worked into a new form of classical music. It's going to take some doing to figure out all the things that worked, but it's going to be done.

"I dig Strauss and Wagner – those cats are good, and I think that they are going to form the background of my music. Floating in the sky above it will be blues – I've still got plenty of blues – and then there will be Western sky music and sweet opium music (you'll have to bring your own opium) and these will be mixed together to form one.

"You know the drug scene came to a big head. It was opening up things in people's minds, giving them things that they just couldn't handle. Well, music can do that, you know, and you don't need any drugs.

"The term 'blowing someone's mind' is valid. People like you to blow their minds, but then we are going to give them something that will blow their mind, and while it's blown, there will be something to fill the gap. It's going to be a complete form of music," he had said.

This story is from the October 15th, 1970 issue of Rolling Stone.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here

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Song Stories

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Cecil Glenn — a.k.a., "D.C." — was a cook at Magic City, a nude dance club in Atlanta, when he first heard women shout "Whoomp — there it is!" Inspired by the party chant, he and partner Steve "Roll'n" Gibson wrote a song around it. Undaunted by label rejections, they borrowed $2,500 from Glenn's parents and pressed 800 singles, which quickly sold out in the Atlanta area. A record deal came soon after. Glenn said the song was meant for positive partying. "If you're going to say 'Whoomp there it is,' and you're doing something negative, we'd rather it not have come out of your mouth."

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