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In the Studio: Albert Hammond, Jr. Falls Down, Gets Up and Reinvents Himself on Second LP

January 29, 2008 2:35 PM ET

While the Strokes remain on a nice long break, guitarist Albert Hammond Jr. figured he'd use his spare time to get another solo album out. "I wanted to show a different side of me," says Hammond. For the follow-up to Yours to Keep, he re-teamed with his band--drummer Matt Romano, guitarist Marc Eskenazi and bassist Josh Lattanzi and engineer Gus Oberg--for five weeks at New York's Electric Lady Studios last fall. Hammond's goals included crafting "shorter and harder" tunes, like the ska-tinged "Miss Myrtle," as well as instrumental numbers, like "Spooky Couch." For "Boss Americana," Hammond and Oberg used "the Van Halen technique" for miking Romano's drums, connecting two kick drums by a long tunnel made from a blanket. And for the Cheap Trick-style power-pop song "In My Room," they plugged three amps into one another to achieve an enormity of sound in stark contrast to the first disc's bedroom vibe. "When we started, I would collapse with fear," Hammond says. "But it's amazing how people around you help you get back up, and that gives you the freedom to go weird places."

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Song Stories

“Hungry Like the Wolf”

Duran Duran | 1982

This indulgent New Romantic group generated their first U.S. hit with the help of what was at the time new technology. "Simon [Le Bon] and I, I think, had been out the night before and had this terrible hangover," said keyboardist Nick Rhodes. "For some reason we were feeling guilty about it and decided to go and do some work." Rhodes started playing with his Jupiter-8 synth, and then "Simon had an idea for a lyric, and by lunchtime when everyone else turned up, we pretty much had the song." The Simmons drumbeat was equally important to the sound of "Hungry Like the Wolf," as Duran Duran drummer Roger Taylor stated it "kind of defined the drum sound for the Eighties."

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