.

How Def Leppard and Poison Mended Fences for Summer Tour

March 5, 2009 4:20 PM ET

"We sing better, we sound better, we look and feel better, our progression is perfect," declares Def Leppard's Phil Collen. More than 25 years since the seminal British hard rock band took the world by storm (selling upwards of 100 million albums), Joe Elliott and crew are back for another U.S. tour this summer — their fifth in a row — sharing the bill with Poison and Cheap Trick and promising audiences nothing but a good time. But just as vital for the band who turned traditional rock staging on its head by playing in the round back in the Hysteria days: putting on a show. "It was sorely lacking in the '90s," says Collen, who likens this tour's production to that of a classic Kiss concert. "No pyro, we've done that before, but a big lighting rig," he adds. "And the ego ramp to go down there and shake your stuff." Guitarist Vivian Campbell interjects: "For Joe to hang out."

Though Ozzfest was called off this year, and annual weekend festivals are slowly replacing multi-band treks, '80s package tours represent one of the few sectors of the music industry that's thriving. "It's more value for the people," says Campbell, though he confesses finding the right combination of bands can be tricky. "We always had a problem figuring out who we were compatible with. When it was suggested a few years ago that we tour with Journey, we all [thought], would we have something in common with an American keyboard-driven band? Turns out we know nothing about our audience because it was a massive tour and incredibly successful. The only downside for us is having to decide which songs we want to play because we're all sharing stage time."

Playing nice is key, insist the band's two guitarists, dismissing Internet chatter of a spat between Def Leppard and Poison resulting from a comment Elliott made at a press conference in Sweden. "Joe said we were about the music, not like image-based bands" defends Collen, "I was sitting right there and didn't see anything wrong with it." Neither did Bret Michaels, who in recent years has clocked infinitely more TV airtime than hours in the studio. And yes, even the members of Def Leppard have watched Rock of Love.

No matter which way you slice it, says Collen, "It's three to four hours of hits and great music." Just don't call it nostalgia. "I don't look at it that way," he demurs. "They're great records. Sure, it's harder to get us on Top 40 these days, because, let's face it, youth is king. Taylor Swift, Rihanna... they're under 20 years old. But when someone says, 'I made love for the first time to "Love Bites," ' or, 'I got a hand job to "Pour Some Sugar on Me," ' that's great! As long as you make an impact any which way." Adds Campbell, "Lots of younger people, they're seeing and hearing it for the first time, so there's also that energy and we feed off it. We may be playing 'Photograph' for the three-millionth time, but you're still playing it to that audience that night for the first time ever. That's always a joy."

Related Stories:

Def Leppard, Poison, Cheap Trick to Tour Together This Summer
Tour Preview: Def Leppard Admit "If You Play New Songs, The Audience Walks Out"
Def Leppard Consider Indie Status As Label Contract Ends

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here

prev
Music Main Next
Daily Newsletter

Get the latest RS news in your inbox.

Sign up to receive the Rolling Stone newsletter and special offers from RS and its
marketing partners.

X

We may use your e-mail address to send you the newsletter and offers that may interest you, on behalf of Rolling Stone and its partners. For more information please read our Privacy Policy.

Song Stories

“Promiscuous”

Nelly Furtado with Timbaland | 2006

This club-oriented single featuring Timbaland, who produced Nelly Furtado's third album, Loose, was Furtado’s sexy return after the Canadian singer's exploration of her Portuguese heritage on Folklore. "In the studio, initially I didn’t know if I could do it, 'cause Timbaland wrote that chorus," Furtado said. "I'm like, 'That's cool, but I don't know if I'm ready to do full-out club.'" The flirty lyrics are a dance between a guy and girl, each knowing they will end up in bed together but still playing the game. "Tim and I called it 'The BlackBerry Song,' she said, "because everything we say in the song you could text-message to somebody."

More Song Stories entries »
 
www.expandtheroom.com